Stollen

When you look at recipes for European holiday breads like panettone, stollen, tsoureki, and christopsomo, it seems as if they are all related, often sharing similar ingredients and proportions of fat and sugar. Often, the main difference is in the shaping and in the history and symbolism of each bread. But heaven help any of us if we propose that thought to someone who grew up with any of those breads. I once made stollen, panettone, and kulich (Russian Easter bread) from a recipe for multipurpose holiday bread for a group of chefs and explained my theory of their similarities. Later, one of the American chefs told me I had offended some of the Germans who grew up on stollen and who were adamant that stollen is nothing like panettone. So I will resist the temptation to call this formula a multipurpose holiday bread (though I have made many types of bread from it) and instead limit it to its application as Dresden stollen. Dresden is considered the spiritual home of this traditional Christmas bread. The bread symbolizes the blanket of the baby Jesus, and the colored fruits represent the gifts of the Magi. As in nearly every festival bread, the story aspect of this loaf is culturally important, for it is a way parents teach their children about their heritage. When such a story is accompanied by the flavor memory of a particular food, you have a tool much more powerful than didactic or pedagogical teaching. I’m convinced this must be the reason I offended those Germans that day when I implied that a stollen was like a panettone. Perhaps in taste and ingredients, yes, but never in association.