5 Ingredients or Fewer

My friend Lulu from Bandol often serves these—usually the variation with anchovies. Hot from the oven, they are perfection with chilled rosé wine.

Any soft mild white cheese will work here. Fresh goat cheese shaped into logs or rounds, feta, even a stiff yogurt cheese like labneh would work. This cheese makes a nice spread for croutons or a tasty garnish for a salad.

Simply rinsing olives and warming them a little refreshes their flavor; adding some herbs and garlic and a little zest makes them even more delightful.

You can prepare any greens this way—rapini, mustard greens, beet tops, spinach, rocket, kale—but cook them separately, because they all have different cooking times. The sturdiest greens, such as kale, take longest. Once cooked, they can be mixed together in any combination, dressed with this simple olive oil marinade, piled warm on croutons, or cooled and wrapped in slices of prosciutto.

When gently cooked together in a saucepan, milk, egg yolks, and sugar become a simple pouring custard, or crème anglaise. Served on its own, in a chilled cup, crème anglaise can be a delightfully simple dessert, but more often it is a sauce served to complement sliced fresh fruit, baked and poached fruit, and cakes. Only the yolks of eggs are used to make pouring custard. When slowly heated, the yolks thicken, adding richness and body to the milk. The standard ratio of egg yolks to milk for custard is 2 yolks to each cup of milk. Separate the eggs, saving the whites for another preparation. Put the egg yolks in a small bowl and mix them lightly, just until they are broken up. Too much stirring or whisking will make them foamy. Heat the milk in a heavy-bottomed pot with sugar and a split vanilla bean. (Vanilla extract can be used instead of vanilla bean, but the flavor will not be quite the same and the visual effect of the tiny black seeds floating in the custard will be lost.) The milk is heated to dissolve the sugar, steep the vanilla bean, and thicken the yolks. Heat it just to the point where little bubbles are forming around the sides of the pan and the milk is steaming; do not let it boil. When the milk is hot, the egg yolks are added, but first they are thinned and warmed with a bit of the hot milk. Whisk a ladleful of the milk into the yolks and then pour them, stirring all the while, into the hot milk. Now comes the most important step. If overheated, the eggs yolks will scramble and separate from the milk. To avoid this, stir the hot mixture constantly over medium heat. I like to use a wooden spoon with a bowl that has a flat end, almost like a spatula. Stir in a figure-eight pattern covering the entire bottom of the pan. The bottom of the pan is where the heat is strongest and where overcooking is most likely to happen (this is why it is important to use a heavy-bottomed pan). Don’t forget to scrape the corners of the pot, where the sides and bottom come together. Cook the custard just until it thickens and coats the back of the spoon. I find this easier to see with a dark-colored wooden spoon. Run your finger along the length of the back of the spoon. If the mixture stays parted and does not drip back across the line created by your finger, then it is done. The temperature at which this occurs is 170°F. The other visual signal I watch for is when the mixture starts to steam profusely, the way other liquids do right before they are going to boil. Keep checking the custard while you are stirring; it will remain the same for a while and then thicken quickly, almost abruptly, when the proper temperature is reached. Have a strainer and bowl ready before you start cooking. Once the custard has thickened, immediately remove it from the heat, stir it vigorously for a minute or two, and then pour it through the strainer into the bowl. Stir the custard to cool it further and stop it from cooking. Retrieve the vanilla pod from the strainer and squeeze it into the custard. A lot of seeds and flavor will come out. Serve the custard right away or chill, covering tightly once cold. The custard will thicken even as it cools. Stir well before serving. For variety pouring custard or crème anglaise can be flavored with fruit purées, espresso, caramel, chocolate, or liquors such as rum, Cognac, or other eaux-de-vie. Flavored pouring custard becomes ice cream when enriched with cream and frozen in an ice-cream maker. The custard can be made slightly thicker with an extra egg yolk, or enriched by substituting half-and-half for part or all of the milk. Custard can also be baked in the oven rather than on the stovetop. An example is pots de crème, rich custards made with cream (or a mixture of cream and half-and-half or milk), in the same ratio of 2 yolks to 1 cup of liquid. Pour the yolk and cream mixture into a heat-proof ceramic baking dish or into little ramekins and bake in a hot-water ...

Ices and sherbets are frozen desserts made from fruit purées or juices. They should be the essence of fruit, with intense, clear flavor. An ice, sometimes called a water ice or granita, has a pleasantly grainy texture, while a sherbet or sorbet is frozen in an ice-cream maker, giving it a velvety smooth texture. Fruit and sugar are the basic ingredients in sherbets and ices. They can be enhanced with a touch of vanilla extract or liqueur and a tiny pinch of salt. The fruit needs to be ripe and full of flavor. Taste it critically; bland fruit will make bland sorbet or ice. As long as it can be turned into a juice or purée, any fruit can be frozen into an ice or sherbet. Tender fruit can be puréed while raw in a food mill or food processor and then strained to remove seeds. I usually heat berries with a bit of sugar just until they start to release their juices before puréeing them. Harder fruits, such as pears and quinces, need to be cooked until soft before they can be puréed. You don’t have to strain citrus juice: remove the seeds by hand, and leave the pulp in for more texture and flavor. Sugar not only adds sweetness, it lowers the freezing temperature of the mix, which inhibits the formation of ice crystals. This is particularly important for achieving the velvety texture of a sherbet. Chilling and freezing mutes, or dulls, sweetness. For proper flavor when frozen, add sugar until the mix tastes overly sweet at room temperature. (For a very revealing experiment, take 3 separate tablespoons of purée or juice and add different amounts of sugar to each one. Freeze them, and taste each one for both sweetness and texture.) An ice is literally fruit juice or purée that has been frozen. The puréed fruit or juice is generally sweetened and then poured into a shallow glass or stainless-steel dish and put to freeze. When adding sugar, go slowly and test a small spoonful of the mix to see if more sugar is needed before adding more to the whole batch. You can also freeze a sample of the mix before freezing the whole lot to verify how it will taste when frozen. Once the mixture is in the freezer, stir it now and then to break up the ice crystals and to keep it from separating. The more often the ice is stirred while it is freezing, the finer the crystals will be in the end. I like to stir an ice once after the top and sides have started to freeze, and then again when it is slushy but not solid. When the ice is solid but still soft when poked, take it from the freezer and chop it. Scrape across the top down to the bottom with a fork, or use a pastry scraper and chop up and down and across the pan until the ice is completely broken up and fluffy. Let the ice re-chill before serving. Give it a light fluff and scoop it with a fork into a bowl or cup. Serving an ice with the same fruit that it was made from, either tossed with a bit of sugar or poached, provides a beautiful contrast of taste and texture. Sherbet is made much the same way as an ice, but it is frozen in an ice-cream maker. The important difference is that sherbet needs to be sweeter to acquire the right texture. To find the amount of sweetness required, you should experiment a bit at first and sample small frozen amounts. Once you have done this a few times it will become second nature. Chill the mixture well before putting it into the ice-cream maker. This helps the sherbet freeze quickly, which helps keep the ice crystals small. It is a great treat to make more than one kind of sherbet, either from complementary fruits or from different varieties of the same one, and serve them together.

Simply poaching fruit—submerging it in a light syrup and gently simmering until just done—preserves its integrity: it retains its shape and its flavor is enhanced. The poaching liquid can be infused with spices and citrus peel, and wine can be added for flavor. Pears, peaches, plums, apricots, quince, cherries, kumquats, and dried fruit such as apricots, raisins, currants, prunes, and cherries can all be poached. A plain piece of poached fruit is a perfect dessert on its own, but dressed up with vanilla ice cream, a plate of cookies, and raspberry or chocolate sauce, it makes a fancy dish for a special occasion. Simple compotes made of a combination of poached fruits served in their sweet poaching liquid are delightful seasonal desserts. Poached fruit also makes a superb garnish for simple cakes and can be baked into delicious tarts. Fruit for poaching should not be soft, as you want it to hold its shape after cooking. In fact, fruit that is a bit underripe or otherwise imperfect is improved by poaching. And, conveniently, poaching preserves fruit for a few days, which is a boon when you have an overabundance of fruit that needs to be used. Before poaching, some fruits need preparation. Pears should be peeled: I leave them whole with their stems intact for decoration, but they can be cored and cut in half or into quarters. Bosc, Bartlett, and Anjou are good varieties to poach. Peaches and apricots can be poached whole or cut in half and peeled after cooking. Small flat white peaches are exquisite poached whole. (Crack open a few of the pits, remove the kernels, and add them to the poaching liquid; they add a flavor of almond essence.) Cherries can be pitted or not. Apples should be cored and can be peeled or not, as desired. Some good varieties to poach are: Golden Delicious, Pippin, Sierra Beauty, and Granny Smith. Quinces need to be peeled and cored before going into the syrup and they require much longer cooking. Dried fruit can go directly into the poaching liquid. Poaching liquid is usually a light sugar syrup. Start with 1/4 cup sugar and 1 cup water, adjusting the syrup to your taste and the needs of the fruit. Tart fruit will require a sweeter syrup. You need enough poaching liquid to fully submerge the fruit. Choose a heavy nonreactive pan large enough to hold the poaching liquid and the fruit comfortably. Bring the water and sugar to a boil, stir to dissolve the sugar, and reduce to a simmer. At this point add any flavorings you might be using. I like to add lemon juice and strips of lemon zest, regardless of what fruit I am poaching. A piece of vanilla bean cut in half lengthwise, a cinnamon stick, peppercorns, cloves, or other spices are all possibilities, as are herbs such as rosemary, basil, or thyme. Add more delicate herbs like mint or lemon verbena at the end of cooking to preserve their flavor. Ginger, orange zest, and tea leaves can make tasty infusions. Wine—sweet or dry, red or white—adds fruit and acid. Try a ratio of 2 parts wine to 1 part water. When using a sweet wine such as port or Sauternes, cut back on the sugar in the poaching liquid. If sweetened with honey, brown sugar, or maple sugar, the poaching liquid will be darker and stronger. Another way to flavor the poaching liquid is to add a fruit purée from berries such as raspberries or black currants. When the liquid is ready, add the prepared fruit. Some fruits brown quickly once they are exposed to the air (pears and quinces, for example). Add them to the poaching liquid one by one as you peel them. Before poaching, cover the fruit with a circle of parchment paper that has been pierced with a few holes. This will help to keep the fruit submerged while it is cooking. Any fruit sticking up above the liquid may discolor or cook unevenly. Press the paper down on the fruit now and then throughout the cooking. Cook the fruit at a bare simmer until tender but not mushy. Test with a sharp paring knife or toothpick at th...

There is a long list of variations of savory galettes and most of them begin with sautéed onions. Sautéed onions are the perfect foil for the crisp, buttery crust of a tart. When combined with other vegetables, onions add protective moisture and deep flavor as the tart bakes in the oven. The pastry can also be rolled into long thin rectangular tarts, which can be cut into small pieces that make very popular finger food for a party. Surprisingly, onions vary quite a bit, and not just in appearance. Sometimes they cook quickly and are so juicy they need to be drained before they can be used; other times they take a long time to soften and don’t give off any liquid to speak of. Onions with very thin skins are usually much more sweet and juicy, while those with very hard, dark, golden skins tend to take longer to cook. All onions will eventually soften and be delicious, but when given the choice, I recommend selecting large onions that have a delicate, thin, lighter skin. In the summer, when they are in season, sweet Walla Walla, Vidalia, or Bermuda onions make excellent tarts, baking up almost as sweet as honey. In the spring there are fresh onions, or spring onions, that have not been dried and cured, and still have their green stalks attached. Peel them and trim off their stalks, slice them thick, and cook until just soft. The flavor of spring onions is delicate and less sweet than that of mature cured onions. The right amount of onions cooked to the right consistency is what makes a good tart. Pile the onions into a low-sided, heavy-bottomed pan with a generous amount of fat, and cook them slowly with herbs until soft and tasty; this will take at least 30 minutes. The onions must be cooled before they are spread onto the pastry or they will melt the butter before the tart bakes. The onions should be moist but not dripping wet or the tart will be soggy. If the onions are too juicy, drain them. Save the juice; it can be reduced and served with the tart as a little sauce or added to a vinaigrette. If the onions are still juicy, even after draining, sprinkle a little flour over the pastry (avoiding the border), before adding the onions, to soak up some of the juice while the tart cooks. Bake on the lowest rack of the oven for a crust that is crisp and golden brown on the bottom. Check the underside by gently lifting up the tart with a spatula. When the tart is fully baked, slide it off the pan onto a cooling rack to rest. If left on the baking pan to cool, it will steam and the pastry will not stay crisp. Once you have mastered a basic onion tart, there are many variations you can try: add sliced sweet or hot peppers to the sautéing onions about halfway through cooking; grate some summer squash and stir it into the onions during their last few minutes of sautéing; or, before you fill the tart, while the onions are cooling, stir in either seasoned cherry tomato halves or roasted, peeled, and sliced peppers. You can also top the layer of onions with sliced tomatoes or lightly grilled slices of eggplant. For a sweet and savory tart, mix chopped roasted figs into the onions. Other variations include sprinkling the pastry with grated cheese or brushing it with a slurry of chopped herbs and olive oil before spreading on the onions. Artichoke hearts also can either be sautéed and stirred into the onions, or sliced and baked and arranged on top of them; when the tart comes out of the oven, try painting it with garlic and herb butter. And most of the year you can mix the onions with sautéed greens—collards, chard, spinach, broccoli rabe, or mustard. Or when the tart has only 10 minutes left to bake, top it with anchovies and black olives.

The pastry determines the outcome of any tart: how it’s made, how it’s rolled out, and how long it’s cooked. The tart dough I make most often is good for both savory and sweet tarts and it makes good pie crust, too. Simply made with flour, butter, and water, the pastry is tender, flaky, and crisp. I avoided making tart dough for years; I found it difficult to make, and I was often disappointed with the results. Then a friend who is an excellent pastry chef explained patiently just how the flour, butter, and water work together, and after a little practice I began to get a feel for the feel of the dough, and the look of it, and my tarts got to be consistently good. As explained in the bread chapter, flour contains a mixture of proteins known as gluten. When mixed with water, these proteins are activated and begin to form a molecular network that makes dough elastic. The more a dough is stirred, or worked, the more the gluten is developed. Gluten is good for bread, which needs a strong supporting network in order to rise, but not so good for tarts: the more the dough is worked, the tougher the pastry will be. That’s why it’s important not to over-work tart dough or knead it. All-purpose flour is the best flour to use for this recipe; bread flour is too high in gluten and so-called pastry flour and cake flour are too low (which makes the pastry mealy). All-purpose flour has just the right amount of gluten to give the dough a flaky texture. This is where the butter comes in. Butter adds flavor and richness to the pastry and has important effects on texture as well. When butter is mixed in, it coats some of the flour, isolating the flour from the water—which slows down the activation of gluten, making the pastry more tender. When some of the butter is left in larger, uneven pieces and flattened by rolling, it will steam during baking, separating sheets of gluten from one another, and creating a flaky texture. The more butter, the more tender the dough. The more irregular the sizes of the pieces of butter, the flakier the pastry. When it’s mixed into the fl our, the butter should be quite cold—refrigerator temperature. If it gets too soft or melts, it makes the dough oily. Have all the ingredients ready before you start: butter chilled and cut into roughly 1/4-inch cubes, flour measured, water icy cold. Work the butter into the flour quickly, using your fingertips. If you have one of those tools called a pastry blender, so much the better. The important thing is to work quickly, lightly rubbing the butter and flour together with your fingertips, or chopping and mixing with the pastry blender, for about a minute. (You can use a stand mixer, too, fitted with the paddle attachment, and mix for about a minute at medium-low speed.) Now it’s time to add the water. The water’s function is to hydrate the flour, thus activating the gluten. You need enough water to make a cohesive dough that is neither crumbly nor sticky. A dry, crumbly dough is hard to roll out and mealy to eat; wet, sticky dough makes tough pastry. The properties of both flour and butter vary, so the amount of ice-cold water you need to add will also vary. Measure out the amount called for, but don’t pour it in all at once. Start by adding about three quarters of the amount. Stir and toss the dough with a fork as you dribble in the water. Avoid working the dough or squeezing it together. (If using a mixer, pour the water down the sides of the bowl while the machine is on low speed, mixing for 30 seconds or less.) Add water until the dough is just starting to clump together—if it forms a ball it’s too wet. Test it by squeezing together a small handful. If it holds together, there’s enough water; if the mass is dry and crumbly, it needs more. Add more water a few drops at a time, stirring lightly between additions. When the dough is the right consistency, gently bring it together into a sha...

An omelet makes a light, quick, nutritious, and economical breakfast, lunch, or dinner. It is a comforting dish, thanks to its tenderness and the simplicity of its flavors: fresh eggs, a touch of butter, and a little cheese or other filling to add flavor and nuance. For the omelet I make most often, I stir fresh herbs (parsley, chive, sorrel, tarragon, or chervil) into the eggs before they are cooked and fill the omelet with a bit of Gruyère or soft ricotta. There are countless other possible fillings for omelets: the leftover spoonful of last night’s sautéed greens or roasted peppers, for example, or a morsel of braised lamb or sautéed ham. It should go without saying that very fresh eggs from hens fed organic feed and allowed to forage freely outdoors make the tastiest omelets. Farmers’ markets often sell such eggs. At grocery stores, look for eggs that are local, free-range, and, if possible, certified organic. Count 2 to 3 eggs per person. I prefer omelets that are not too thick, are delicately puffed and folded, and are still moist on the inside. To achieve this, I use this rule of thumb for the size of pan: 2 eggs in a 6-inch pan, 3 eggs in an 8-inch pan, 6 in a 10-inch pan, and no more than 12 in a 12-inch pan. The beaten eggs should be no more than 1/4 inch deep. The pan itself should be heavy and smooth-surfaced or nonstick. Preheat the pan over medium-low heat for 3 to 5 minutes before adding the eggs. This is the most important step for quick, consistent, and nonstick cooking. Crack your eggs into a bowl and, right before they are to be cooked, add a pinch of salt per egg (they turn watery when salted ahead), and beat them lightly with a fork or a whisk. The omelet will be more fluffy and tender if the eggs are well combined, but not beaten into a completely homogenous mixture. Put a knob of butter in the hot pan; it will melt and foam up. Swirl it around and, as the foam subsides and the butter starts to give off its distinctive nut-like aroma, but before it starts to brown, pour in the eggs. If you are making a large omelet, turn the heat up at this time to medium (this is not necessary with a small omelet). There should be a satisfying sizzle as the eggs enter the pan. The edges of the omelet will begin to set almost immediately (if they don’t, turn up the heat). Pull the edges towards the center with a fork or spatula, allowing uncooked egg to flow over the exposed bottom of the hot pan. Do this until the bottom of the omelet is set, lifting the edges and tilting the pan to let liquid egg flow underneath. When the eggs are mostly set, sprinkle on the cheese or other fillings. Cook a moment longer, fold the omelet in half over itself, and slide it onto a plate. To make a rolled omelet, tilt the pan down and away from you, shaking the pan to scoot the omelet towards the far edge of the pan and folding the near edge of the omelet over onto itself. Continue to tilt the pan, rolling the omelet towards the downward side. Then fold the far edge over the top and roll the omelet out of the pan onto a warm plate, seam side down. The whole process will have taken less than a minute. Drag a piece of butter over the top to make the omelet shine.

A steak is perfect for the grill; tender, well marbled, cut thin and flat, it is tailor-made for searing over a bed of hot coals. A properly grilled steak is mouthwatering: brown and crisp on the outside, pink and juicy on the inside. Is there an easier, less complicated dinner than a grilled steak with a green salad? And, agreeably, the cleanup is practically effortless. Most any cut of steak will do. The classics are rib eye, New York, fillet or tenderloin, and porterhouse. There are others that are more economical, but every bit as tasty. Flatiron from the chuck, skirt steak, hangar steak, and bavette are all flavorful cuts, as are flank, top sirloin, and tri-tip. Steaks can be grilled as single portions, or larger steaks can be grilled whole and sliced for more than one. When bound for the grill, a steak is best cut 1 to 2 inches thick. Any thinner and the inside will be overdone before the outside is properly seared; any thicker, the outside starts to char before the inside is ready. Trim off all but a 1/4 -inch layer of fat; the less dripping fat, the fewer flare-ups. While seasoning a steak simply, with only salt and fresh-ground black pepper, is enough, I especially like an herb crust. I chop lots of fresh herbs together—thyme, oregano, and marjoram, in any combination, but always with rosemary—and mix them with coarse salt and fresh-ground black pepper. This is rubbed onto the steak with a bit of olive oil an hour or so before grilling. For even cooking, steak should be taken out of the refrigerator and allowed to come to room temperature, which takes 30 minutes to an hour. Prepare a hot fire and preheat and clean the grill with a wire brush. You should not be able to tolerate the heat for more than 2 seconds when you hold your hand over the grill. Oil the grill and put on the steak. Cook for 2 to 3 minutes and if you want to make nice crosshatched grill marks, rotate the steak a little over 90 degrees. Cook for another 2 to 3 minutes and then turn the steak over. (If the steak has a border of fat, turn this onto the grill, holding the steak up with tongs, to sear the fat for a minute or two before grilling the other side.) Cook the other side for 2 to 3 minutes and rotate a little over 90 degrees. Start checking for doneness after another 2 minutes, pressing your index finger or the back of the tongs into the meat. It will still be soft when rare, a bit springy when medium-rare, and quite resilient when well-done. You can verify this by cutting into the steak, but keep testing by pressure—after a few steaks, you will be able to judge without cutting. Take the steak off the grill when it is a little less done than you want; residual heat will continue to cook the meat while it rests. A 1-inch steak will be grilled rare in about 8 minutes, and grilled medium in about 10 to 12 minutes. Monitor your fire while the steak is cooking, moving the coals to make the fire hotter or cooler as needed. If the fire flares up, move the meat out of the flames right away or the fire will burn the meat, forming an acrid, black crust. After you take a steak off the grill, let it rest a few minutes before serving to stabilize the internal juices so that they don’t run out excessively when the steak is cut into. If it’s not to be served right away, cover it loosely with foil to help keep it warm; but don’t seal it tightly or it will continue to cook.

As the name implies, shallow-frying requires more fat than pan-frying or sautéing but not as much as deep-frying. When they are to be shallow-fried, most foods are first coated with breadcrumbs or covered (or dredged) in flour. This coating turns golden brown and seals in juices resulting in such crisp, succulent dishes as fried chicken, breaded pork cutlets, fried zucchini, and sole in breadcrumbs. The goal is a light, even, unbroken coating. To dredge, first season the food with salt and pepper, and drag it or toss it in flour, shaking off any excess. Some foods, such as thin fillets of fish, are then fried directly. Other foods, particularly those that take longer to cook, such as pieces of chicken on the bone or a whole fish, benefit from resting an hour or so after dredging to allow the floured surface to dry and firm up. Don’t let the pieces touch one another or the coating will stick and tear when it is time to cook. (An easy way to flour chicken is to put the flour in a strong paper bag, add the chicken and shake.) Breadcrumbs burn more easily than flour and are best applied to meat and vegetables that have been cut thin enough that the interior will be cooked by the time the crumbs have browned. Season the meat or vegetables with salt, pepper, and any herbs or spices, as desired. For breadcrumbs to stick, the food needs to be evenly moist. First dredge it in flour, dip it in egg beaten with a little water, and then roll it (or pat it) in dry fresh breadcrumbs. (Coarse cornmeal can be substituted for breadcrumbs.) To keep your fingers from getting breaded along the way, use one hand to roll the food in the flour and crumbs and the other to dip it in the egg mixture. A breadcrumb coating will be crisper if allowed to rest an hour or so before cooking. Once again, be sure that the breaded pieces are not touching one another while they rest. For shallow-frying, choose oils with a high smoking temperature, such as pure olive oil or peanut oil, or clarified butter, which adds rich flavor. Or use a combination of oil and clarified butter. Lard, suet, duck fat, and schmaltz (chicken fat) are all distinctively flavorful frying fats. Potatoes, one of the few foods that don’t need to be floured or breaded before being shallow-fried, are especially tasty when cooked in a combination of clarified butter and duck fat. A heavy pan heats the fat evenly, and it should have low sides, for easy turning and to prevent steaming. The pan must be filled with enough fat to come halfway up the sides of what you are cooking. For most shallow-frying, that will be 1/4 to 1/2 inch deep. Otherwise the coating will get soggy and not cook along the edges where the oil didn’t reach. Heat the oil until it is hot but not smoking and gently add the food. Don’t crowd the pan; fry in batches if necessary. Cook until brown and crisp, then turn and cook until crisp on the other side. Monitor the heat, turning it down if the food is browning too quickly and turning it up if there is no browning after a minute or two. If fat is absorbed during the cooking, add more as necessary to maintain the proper level. Food that takes a while to cook, such as chicken, may need to be turned a few times. Remove from the pan when cooked and drain well on paper or an absorbent towel before serving.

Tender cuts of meat—chicken breasts, steaks, and chops, for example—are prime candidates for pan-frying, and when properly cooked have a mouthwateringly crisp, browned exterior and a tender, juicy interior. Pan-frying makes dinner a breeze; there is practically no preparation involved and the meat is cooked quickly and sent straight to the table. The fundamentals for achieving good results are a heavy pan, high heat, and a fairly thin piece of meat. Why does a heavy pan matter? Have you ever cooked something in a thin pan and had it burn, with the burn exactly the same shape as the electrical element below? This shows how a thin pan transmits heat directly from the burner to what is cooking instead of diffusing the heat across the pan’s surface. A heavy pan can distribute heat—and a lot of it—from the burner to the bottom of the pan. This is key in pan-frying and sautéing, because the pan needs to be quite hot to sear and caramelize or brown, but not burn, the surface of what is being cooked. If I could have only one pan, it would be a cast-iron skillet. The heavy iron heats evenly, making it a wonderful vehicle for browning and frying. An added bonus is that a seasoned cast-iron pan is virtually nonstick. The next-best thing after a cast-iron skillet is a stainless-steel-lined heavy aluminum or aluminum-core frying pan. The aluminum is an excellent heat conductor, while the stainless steel offers a good nonreactive surface to cook on. Besides being heavy, the pan should have low sides so the meat won’t steam as it cooks. Because pan-frying requires high heat, the meat you choose should be fairly thin. Chops should be 1/2 to 3/4 inch thick and steaks 1 inch thick or less. Over high heat, thicker cuts will get crusty and dry on the outside before the inside is done. (A good method for cooking thicker chops and steaks is to brown them, by cooking them briefly on both sides at high heat, and pop them, skillet and all, into a 375°F oven to finish cooking. Alternatively, after browning, finish cooking over lowered heat, with the pan covered.) For even cooking, the thickness should be uniform. Chicken breasts can be lightly pounded at the thicker end to even them out so they will cook consistently. It is wise to have all your ingredients ready to go before you start cooking: the oil should be handy, the meat should be seasoned, and, if you are going to make a pan sauce, those ingredients should be on hand as well. Heat the pan first: a hot pan in combination with oil will sear the meat and keep it from sticking. Otherwise, the meat will sweat and its leaking juices will cause the meat to adhere to the bottom of the pan. Once the pan is hot, add a little bit of oil, or oil and butter (butter alone burns too quickly at high temperatures). Add the oil after the pan has heated so that it does not start to smoke and burn before you are ready to start cooking. For pan-frying only a little oil is needed, just enough to generously coat the bottom of the pan. After a few seconds, when the oil is shimmering, put the meat in the pan. The meat should fit in the pan in a single layer with a little space between each piece. If the pieces are crowded or overlapping, the liquid they release will keep the meat from browning; if there are large areas of the pan left exposed, the oil in these areas will burn and smoke. If necessary, fry in batches or in two pans simultaneously. Cook the meat on one side until it is nicely browned. Peek underneath after 2 or 3 minutes to monitor the browning; lower the heat if it is browning too quickly, or, if nothing is happening, turn it up. To brown the other side, turn the meat with tongs or a long, sharp-tined fork. In general, most cuts of meat need to cook for 4 to 5 minutes on each side. Chicken breasts can cook for a longer time on the skin side, 8 minutes or so, leaving the tender meaty side to cook only a few minutes. I am an advocate for leaving the skin on...

A properly seasoned and cooked roast is an elegant and simple dish to prepare, and something very valuable to know how to do confidently for feeding a large gathering of family or friends. With insufficient know-how, roasting meat can be an intimidating prospect, so here are a few basic ground rules to equip you for cooking a superb roast. I know I’m repeating myself here, but the best meat comes from animals that are locally produced, pasture-raised, and organically fed. Factory farms may produce a lot of inexpensive meat, but it is at great cost to the health of the land, the animals, and both the people who eat them and those involved in their production. Not only is the meat from humanely raised animals the tastiest, but your purchase supports those in your community who are tending the land, creating a very rewarding reciprocal relationship. It is really important to seek out markets and butchers who carry this type of meat. Some cuts of meat can be bought with or without the bone. Roasting meat on the bone will produce a better roast; it helps the meat to retain its juices and adds flavor as the roast cooks. Leg of lamb, lamb shoulder roast, rack of lamb, saddle of lamb, bone-in pork loin, pork shoulder roast, and prime rib are some examples of cuts that can be roasted on the bone. For easier carving, the bone may be removed before the meat is taken to the table to be cut. Or slice it in the kitchen and arrange it on a warm platter to pass; that is what I do most often. Seasoning the meat in advance makes a roast more juicy, tender, and tasty. Applying the salt one day ahead of cooking will do, but two or three days ahead is not too far in advance, especially for a large roast. A fresh herb marinade or dry rub is good to put on a few hours ahead or even the night before. It is important to bring the meat to room temperature before you cook it. Meat put to roast when still cold will cook very unevenly. The exterior will be fully cooked before the interior has even had a chance to warm up. Take the meat from the refrigerator at least 1 hour before roasting, or 2 hours for a bone-in roast. A good temperature for roasting is 375°F. Choose a pan just slightly larger than the roast. A rack is not necessary; instead, turn the meat twice while it is cooking. First, after the meat has browned, after 20 to 30 minutes; then, after another 20 minutes, when the underside has browned, turn it again and finish cooking. This allows for even browning and distributes the juices and fat all through the meat as it is cooking. (If the roast is small, brown it in a pan with a little olive oil over high heat before putting it into the oven to roast. It does not need to be turned then, unless it is browning too much on the top.) If you are roasting a rack of lamb, a bone-in pork loin, or a prime rib, lay the meat in the pan, bones down, for a natural rack. These roasts do not need to be turned. How do you know when it is done? I will poke and prod a roast to see if it is done, but I always take the internal temperature to confirm my judgment. An instant-read thermometer can be inserted anywhere in the roast and will immediately reveal the interior temperature. For the most accurate temperature reading, insert the thermometer lengthwise into the thickest part of the roast, parallel to the bone (but not touching it). You want to take the reading at the coldest part of the roast, as that will tell you where it is least done. For lamb I take the meat out at 128°F, for beef at 120 to 125°F, and for pork loin at 135°F. These temperatures are for medium-rare lamb and beef and medium-rare to medium pork. At these temperatures, the meat is still tender, juicy, and full of flavor. If you prefer your meat cooked more, for each increasing level of doneness, take the temperature up ten degrees—138°F for a medium leg of lamb, for example. It is very important to let roasted meat rest before cutting and serving. This allows ...

When I serve roasted vegetables, my guests often ask me, “How did you cook these vegetables? They are so delicious!” I tossed them with a bit of oil and salt and threw them in the oven, is my answer. Eyebrows rise in disbelief, but it’s true: roasting vegetables is that easy and that delicious. As vegetables roast, their flavors intensify and the brown caramelized edges they get add sweetness and texture. Very little oil is used during the cooking so they are quite light as well. Most any vegetable can be roasted, either simply with salt and olive oil or with garlic, herbs, and spices for added flavor. The critical points for roasting vegetables are: the shape in which they are cut; the seasoning and oiling; and the temperature at which they are cooked. Winter root vegetables should be peeled and cut up into smaller pieces, though the very tiny ones can be left whole. Carrots, turnips, celery root, rutabagas, parsnips, and kohlrabi are all excellent roasted. Cut the vegetables into pieces more or less the same size so they will cook evenly and be done at the same time. Avoid shapes that have thin edges, as they tend to burn before the centers are done; and don’t cut the vegetables too small or they will be mostly browned bits with very little soft flavorful vegetable left to eat. Toss the cut vegetables in a large bowl, using your hands or a spoon to coat them evenly with salt and olive oil. They only need a light coating of oil; if oil is accumulating on the bottom of the bowl you’ve used too much. Taste a piece to see if they are seasoned correctly and keep adding salt until it tastes right. Lay the vegetables out in a single layer on a baking sheet that has low sides. The sides make it much easier to stir the vegetables while they are cooking and keep them from drying out. Cook the vegetables in a hot oven preheated to 400°F. A lower temperature will dry out the vegetables while they cook, making them leathery before they are done; a higher temperature will burn them before they are cooked all the way through. Stir the vegetables a few times while they are cooking, turning those along the edges into the center. Cook them until they are tender and nicely browned here and there. Probe a piece with the tip of a knife to test for doneness, or better still, taste one (be sure to let it cool first). Don’t let them go too far: a little browning makes them sweeter, but if you let them get too dark they will taste bitter. Potatoes can be roasted whole. Use small new potatoes (fingerlings or creamer-size potatoes work really well). Wash the potatoes and peel them or not, as you prefer. Put them into a baking dish with sides as high as or slightly higher than the potatoes themselves. Sprinkle with salt and drizzle with olive oil. Add a head or more of garlic cloves, separated but not peeled, and a few sprigs of fresh herbs. Shake the pan now and then while the potatoes are cooking; turn them if they are browning too much on the top or bottom. Smaller winter squash, such as Delicata and acorn varieties, can be roasted in halves to serve right in the shell. Halve the squash and scoop out the seeds, place the halves cut side up on an oiled baking sheet, drizzle lightly with oil and sprinkle with salt, turn cut side down, and roast until soft. Unpeeled butternut or Delicata squash, once halved and seeded, can be cut into slices and laid on an oiled baking sheet to roast. The skin is so tender after roasting that it is fine to eat. Squash can be cut into cubes and roasted as well; it is wonderful with lots of fresh sage leaves tossed in before cooking. Fat asparagus—the butt ends snapped off, the spears peeled and tossed with oil and salt—roasts very well. Lemon thyme is an intriguing herb to use with asparagus. Stick to larger spears when roasting; the smaller spears tend to shrivel and dry. To roast broccoli, peel and cut the stems into thick slices and break the head into florets. O...

Sautéing is an exciting cooking experience. All your senses are engaged with the high heat, the loud sizzle of the pan, the active stirring and tossing, and the delightful smells of browning food and the perfumes of aromatics added at the end. Sautéing is best suited to small pieces of meat, fish, shellfish, and vegetables. The pieces are tossed or stirred in a hot pan with a small amount of oil. This cooks them quickly; meat stays succulent and vegetables fresh and juicy. A sauté pan has rounded sides, which makes it easier to toss the food than if you use a classic frying pan or skillet—although in a pinch, a frying pan will do a fine job. When sautéing, ingredients are added in quantity—though not in quantities that can’t be easily tossed or stirred—and need to be moved about quickly so that all sides of all the pieces make contact with the hot pan right away. The pan must be quite hot and the heat turned up before the cooking begins to ensure that the food is seared immediately. Otherwise it will start to sweat, lowering the chances of browning and raising the chances of sticking. There should be a gratifying sizzle when the food hits the pan. To check if the pan is hot enough, add a drop or two of water beforehand. Use an oil with a high smoking point to sauté. Clarified butter also works well, but whole butter will eventually burn, even when mixed with oil. Only a small amount of fat is needed, just enough to coat the pan and keep the food from sticking. Occasionally, some ingredients absorb all the oil and threaten to stick; add more oil right away, pouring it down the side of the pan so it has a chance to heat up on its way in. Meat and vegetables are seasoned with salt and pepper either in advance or right at the start of the cooking; most other seasonings are added towards the end to keep them from burning. In some recipes, garlic or ginger is cooked briefly in hot oil for flavor and removed before the main ingredients are added to the pan. Have all your ingredients ready to go before you start cooking, as there will be no time to gather them once you start to sauté.