Easy

Gremolata is a mixture of chopped parsley, garlic, and lemon zest. Persillade (pronounced “per-see-odd”) is simply chopped parsley and garlic. Although these are not technically sauces, I use them as a fresh bright finish to sprinkle over roasted or braised meats, pastas, and anything grilled.

This salsa is a fresh complement to grilled or baked fish or fish tacos.

This is the basic white sauce used in lasagna, vegetable gratins, and savory soufflés.

Serve this sauce with breaded fried sole or oysters.

Simply rinsing olives and warming them a little refreshes their flavor; adding some herbs and garlic and a little zest makes them even more delightful.

When gently cooked together in a saucepan, milk, egg yolks, and sugar become a simple pouring custard, or crème anglaise. Served on its own, in a chilled cup, crème anglaise can be a delightfully simple dessert, but more often it is a sauce served to complement sliced fresh fruit, baked and poached fruit, and cakes. Only the yolks of eggs are used to make pouring custard. When slowly heated, the yolks thicken, adding richness and body to the milk. The standard ratio of egg yolks to milk for custard is 2 yolks to each cup of milk. Separate the eggs, saving the whites for another preparation. Put the egg yolks in a small bowl and mix them lightly, just until they are broken up. Too much stirring or whisking will make them foamy. Heat the milk in a heavy-bottomed pot with sugar and a split vanilla bean. (Vanilla extract can be used instead of vanilla bean, but the flavor will not be quite the same and the visual effect of the tiny black seeds floating in the custard will be lost.) The milk is heated to dissolve the sugar, steep the vanilla bean, and thicken the yolks. Heat it just to the point where little bubbles are forming around the sides of the pan and the milk is steaming; do not let it boil. When the milk is hot, the egg yolks are added, but first they are thinned and warmed with a bit of the hot milk. Whisk a ladleful of the milk into the yolks and then pour them, stirring all the while, into the hot milk. Now comes the most important step. If overheated, the eggs yolks will scramble and separate from the milk. To avoid this, stir the hot mixture constantly over medium heat. I like to use a wooden spoon with a bowl that has a flat end, almost like a spatula. Stir in a figure-eight pattern covering the entire bottom of the pan. The bottom of the pan is where the heat is strongest and where overcooking is most likely to happen (this is why it is important to use a heavy-bottomed pan). Don’t forget to scrape the corners of the pot, where the sides and bottom come together. Cook the custard just until it thickens and coats the back of the spoon. I find this easier to see with a dark-colored wooden spoon. Run your finger along the length of the back of the spoon. If the mixture stays parted and does not drip back across the line created by your finger, then it is done. The temperature at which this occurs is 170°F. The other visual signal I watch for is when the mixture starts to steam profusely, the way other liquids do right before they are going to boil. Keep checking the custard while you are stirring; it will remain the same for a while and then thicken quickly, almost abruptly, when the proper temperature is reached. Have a strainer and bowl ready before you start cooking. Once the custard has thickened, immediately remove it from the heat, stir it vigorously for a minute or two, and then pour it through the strainer into the bowl. Stir the custard to cool it further and stop it from cooking. Retrieve the vanilla pod from the strainer and squeeze it into the custard. A lot of seeds and flavor will come out. Serve the custard right away or chill, covering tightly once cold. The custard will thicken even as it cools. Stir well before serving. For variety pouring custard or crème anglaise can be flavored with fruit purées, espresso, caramel, chocolate, or liquors such as rum, Cognac, or other eaux-de-vie. Flavored pouring custard becomes ice cream when enriched with cream and frozen in an ice-cream maker. The custard can be made slightly thicker with an extra egg yolk, or enriched by substituting half-and-half for part or all of the milk. Custard can also be baked in the oven rather than on the stovetop. An example is pots de crème, rich custards made with cream (or a mixture of cream and half-and-half or milk), in the same ratio of 2 yolks to 1 cup of liquid. Pour the yolk and cream mixture into a heat-proof ceramic baking dish or into little ramekins and bake in a hot-water ...

Ices and sherbets are frozen desserts made from fruit purées or juices. They should be the essence of fruit, with intense, clear flavor. An ice, sometimes called a water ice or granita, has a pleasantly grainy texture, while a sherbet or sorbet is frozen in an ice-cream maker, giving it a velvety smooth texture. Fruit and sugar are the basic ingredients in sherbets and ices. They can be enhanced with a touch of vanilla extract or liqueur and a tiny pinch of salt. The fruit needs to be ripe and full of flavor. Taste it critically; bland fruit will make bland sorbet or ice. As long as it can be turned into a juice or purée, any fruit can be frozen into an ice or sherbet. Tender fruit can be puréed while raw in a food mill or food processor and then strained to remove seeds. I usually heat berries with a bit of sugar just until they start to release their juices before puréeing them. Harder fruits, such as pears and quinces, need to be cooked until soft before they can be puréed. You don’t have to strain citrus juice: remove the seeds by hand, and leave the pulp in for more texture and flavor. Sugar not only adds sweetness, it lowers the freezing temperature of the mix, which inhibits the formation of ice crystals. This is particularly important for achieving the velvety texture of a sherbet. Chilling and freezing mutes, or dulls, sweetness. For proper flavor when frozen, add sugar until the mix tastes overly sweet at room temperature. (For a very revealing experiment, take 3 separate tablespoons of purée or juice and add different amounts of sugar to each one. Freeze them, and taste each one for both sweetness and texture.) An ice is literally fruit juice or purée that has been frozen. The puréed fruit or juice is generally sweetened and then poured into a shallow glass or stainless-steel dish and put to freeze. When adding sugar, go slowly and test a small spoonful of the mix to see if more sugar is needed before adding more to the whole batch. You can also freeze a sample of the mix before freezing the whole lot to verify how it will taste when frozen. Once the mixture is in the freezer, stir it now and then to break up the ice crystals and to keep it from separating. The more often the ice is stirred while it is freezing, the finer the crystals will be in the end. I like to stir an ice once after the top and sides have started to freeze, and then again when it is slushy but not solid. When the ice is solid but still soft when poked, take it from the freezer and chop it. Scrape across the top down to the bottom with a fork, or use a pastry scraper and chop up and down and across the pan until the ice is completely broken up and fluffy. Let the ice re-chill before serving. Give it a light fluff and scoop it with a fork into a bowl or cup. Serving an ice with the same fruit that it was made from, either tossed with a bit of sugar or poached, provides a beautiful contrast of taste and texture. Sherbet is made much the same way as an ice, but it is frozen in an ice-cream maker. The important difference is that sherbet needs to be sweeter to acquire the right texture. To find the amount of sweetness required, you should experiment a bit at first and sample small frozen amounts. Once you have done this a few times it will become second nature. Chill the mixture well before putting it into the ice-cream maker. This helps the sherbet freeze quickly, which helps keep the ice crystals small. It is a great treat to make more than one kind of sherbet, either from complementary fruits or from different varieties of the same one, and serve them together.

Simply poaching fruit—submerging it in a light syrup and gently simmering until just done—preserves its integrity: it retains its shape and its flavor is enhanced. The poaching liquid can be infused with spices and citrus peel, and wine can be added for flavor. Pears, peaches, plums, apricots, quince, cherries, kumquats, and dried fruit such as apricots, raisins, currants, prunes, and cherries can all be poached. A plain piece of poached fruit is a perfect dessert on its own, but dressed up with vanilla ice cream, a plate of cookies, and raspberry or chocolate sauce, it makes a fancy dish for a special occasion. Simple compotes made of a combination of poached fruits served in their sweet poaching liquid are delightful seasonal desserts. Poached fruit also makes a superb garnish for simple cakes and can be baked into delicious tarts. Fruit for poaching should not be soft, as you want it to hold its shape after cooking. In fact, fruit that is a bit underripe or otherwise imperfect is improved by poaching. And, conveniently, poaching preserves fruit for a few days, which is a boon when you have an overabundance of fruit that needs to be used. Before poaching, some fruits need preparation. Pears should be peeled: I leave them whole with their stems intact for decoration, but they can be cored and cut in half or into quarters. Bosc, Bartlett, and Anjou are good varieties to poach. Peaches and apricots can be poached whole or cut in half and peeled after cooking. Small flat white peaches are exquisite poached whole. (Crack open a few of the pits, remove the kernels, and add them to the poaching liquid; they add a flavor of almond essence.) Cherries can be pitted or not. Apples should be cored and can be peeled or not, as desired. Some good varieties to poach are: Golden Delicious, Pippin, Sierra Beauty, and Granny Smith. Quinces need to be peeled and cored before going into the syrup and they require much longer cooking. Dried fruit can go directly into the poaching liquid. Poaching liquid is usually a light sugar syrup. Start with 1/4 cup sugar and 1 cup water, adjusting the syrup to your taste and the needs of the fruit. Tart fruit will require a sweeter syrup. You need enough poaching liquid to fully submerge the fruit. Choose a heavy nonreactive pan large enough to hold the poaching liquid and the fruit comfortably. Bring the water and sugar to a boil, stir to dissolve the sugar, and reduce to a simmer. At this point add any flavorings you might be using. I like to add lemon juice and strips of lemon zest, regardless of what fruit I am poaching. A piece of vanilla bean cut in half lengthwise, a cinnamon stick, peppercorns, cloves, or other spices are all possibilities, as are herbs such as rosemary, basil, or thyme. Add more delicate herbs like mint or lemon verbena at the end of cooking to preserve their flavor. Ginger, orange zest, and tea leaves can make tasty infusions. Wine—sweet or dry, red or white—adds fruit and acid. Try a ratio of 2 parts wine to 1 part water. When using a sweet wine such as port or Sauternes, cut back on the sugar in the poaching liquid. If sweetened with honey, brown sugar, or maple sugar, the poaching liquid will be darker and stronger. Another way to flavor the poaching liquid is to add a fruit purée from berries such as raspberries or black currants. When the liquid is ready, add the prepared fruit. Some fruits brown quickly once they are exposed to the air (pears and quinces, for example). Add them to the poaching liquid one by one as you peel them. Before poaching, cover the fruit with a circle of parchment paper that has been pierced with a few holes. This will help to keep the fruit submerged while it is cooking. Any fruit sticking up above the liquid may discolor or cook unevenly. Press the paper down on the fruit now and then throughout the cooking. Cook the fruit at a bare simmer until tender but not mushy. Test with a sharp paring knife or toothpick at th...

Sweet tart dough, or pâte sucrée, is very different from the dough of the previous tarts in this chapter. It is sweet, soft, and almost crumbly instead of crisp and flaky. I use this dough for dessert tarts baked in tart pans with removable bottoms. The pastry is often prebaked so that it will stay crisp when baked with liquid fillings. Some of my favorite tarts of this kind are lemon curd, almond, and chocolate. Though made from flour and butter, sweet tart dough has the additions of egg and sugar. The ingredients are combined in a process closer to making cookie dough than to that of pastry. In fact, this dough makes delicious thumbprint cookies, little rounds with depressions made by the baker’s thumb and filled with lemon curd or jam. Sweet tart dough is soft and tender for a number of reasons. First, the butter and sugar are creamed (mixed until soft and fluffy) so that they combine thoroughly with the flour, inhibiting the gluten and tenderizing the dough. Finally, the dough is moistened with an egg yolk instead of water, making it even more difficult for the gluten to activate. Nevertheless, the dough can be overworked, so the egg is mixed into the butter to distribute it evenly before the flour is added. Soften the butter for 15 minutes at room temperature before creaming. It needs to be soft enough to stir in the egg yolk, but not so soft that it will melt into the flour and make the pastry oily. Beat the butter until it is soft and fluffy with a wooden spoon (or use a mixer) and then beat in the sugar. Add the egg yolk and vanilla and mix until completely combined. The yolk will be much easier to mix in if it is at room temperature. A cold egg will harden the butter around it. (If your egg is cold, put it in a bowl of warm water for a few minutes before separating it.) Mix in the flour, folding and stirring it into the butter-egg mixture. Don’t leave any floury patches in the dough or the pastry will be crackled in these places. The dough will be soft and sticky (sugar makes dough sticky) and needs to be refrigerated for at least 4 hours to firm up before rolling. Gather the dough into a ball and wrap in plastic. Flatten into a disk and chill. The dough can be made and kept in the refrigerator for 2 days or in the freezer for up to 2 months. Let it thaw overnight in the refrigerator before using. When ready to roll out the dough, take it out of the refrigerator. If it is quite hard, let it sit about 20 minutes to soften. Because the dough is soft and sticky by nature, it is much easier to roll out between 2 sheets of parchment or waxed paper. Cut two 14-inch-square pieces. Flour the bottom piece and center the unwrapped dough on it. Dust the top of the dough with flour and place the other sheet of paper on top. Roll the dough, from the center out, into a 12-inch circle. If the dough sticks to the paper, peel back the paper and dust the dough with a bit more flour. Replace the paper, turn the whole package over, and repeat the dusting on the other side. If the dough gets too soft while rolling, put it on a baking sheet, paper and all, and chill it in the freezer for a few minutes to firm it up. Continue rolling, flouring when needed, until the dough is about 1/8 inch thick. Let the rolled pastry rest for a few minutes in the refrigerator before using. A 12-inch circle of dough will line a 9-inch tart pan. (A tart pan with a removable bottom will make unmolding the tart much easier once it is baked.) Peel the paper off the circle of dough and, if it is to be baked blind (or empty), lightly prick it all over with a fork. This process is called docking, and it allows the escape of air that otherwise might cause the pastry to bubble up while baking. Invert the dough over the tart pan and remove the other piece of paper. Press the dough gently into the edges. Cut off the excess dough by rubbing your thumb across the top edge of the pan in an outward direction. Press the sides in and up after tri...

A frittata is a flat round omelet with its filling stirred into the eggs before cooking. I like my frittatas dense in vegetables, almost like pies without crusts. Many things can be stirred into frittatas: sautéed onions, wilted greens, roasted peppers, sliced potatoes, mushrooms, even pasta. Frittatas can be served warm or at room temperature, plain or with a sauce, as a first course or as dinner. And they are great for sandwiches and as picnic food. Any filling should be cooked before being added to the eggs. For more flavor, vegetables can be browned or seasoned with herbs and spices. Although some recipes say to pour beaten eggs into the pan over vegetables after they have been cooked, I have better luck turning the frittata later when I beat the eggs with a little oil and salt, stir in the vegetables and any other ingredients such as herbs or cheese, and cook the frittata in a clean preheated pan. Cook frittatas over medium to medium-high heat. Any higher and the eggs will burn on the bottom. As the edges set, lift them away from the side of the pan and tilt the pan to let uncooked egg flow underneath. When the frittata is mostly set, place an inverted plate the same size or a little larger over the pan, hold them firmly together, and turn the pan upside down on top of the plate. (Protect the hand holding the plate with a towel or potholder.) Add a bit more oil to the pan and slide the frittata back in. Cook for another 2 or 3 minutes and then slide onto a plate. The frittata should be cooked through but still moist inside. Another way to cook a frittata is in the oven, as long as the pan you use is ovenproof. Preheat the oven to 350°F. Start the frittata on top of the stove, as above. After a couple of minutes, put the pan in the oven and cook until the frittata is set on top, about 7 to 10 minutes.

The pastry determines the outcome of any tart: how it’s made, how it’s rolled out, and how long it’s cooked. The tart dough I make most often is good for both savory and sweet tarts and it makes good pie crust, too. Simply made with flour, butter, and water, the pastry is tender, flaky, and crisp. I avoided making tart dough for years; I found it difficult to make, and I was often disappointed with the results. Then a friend who is an excellent pastry chef explained patiently just how the flour, butter, and water work together, and after a little practice I began to get a feel for the feel of the dough, and the look of it, and my tarts got to be consistently good. As explained in the bread chapter, flour contains a mixture of proteins known as gluten. When mixed with water, these proteins are activated and begin to form a molecular network that makes dough elastic. The more a dough is stirred, or worked, the more the gluten is developed. Gluten is good for bread, which needs a strong supporting network in order to rise, but not so good for tarts: the more the dough is worked, the tougher the pastry will be. That’s why it’s important not to over-work tart dough or knead it. All-purpose flour is the best flour to use for this recipe; bread flour is too high in gluten and so-called pastry flour and cake flour are too low (which makes the pastry mealy). All-purpose flour has just the right amount of gluten to give the dough a flaky texture. This is where the butter comes in. Butter adds flavor and richness to the pastry and has important effects on texture as well. When butter is mixed in, it coats some of the flour, isolating the flour from the water—which slows down the activation of gluten, making the pastry more tender. When some of the butter is left in larger, uneven pieces and flattened by rolling, it will steam during baking, separating sheets of gluten from one another, and creating a flaky texture. The more butter, the more tender the dough. The more irregular the sizes of the pieces of butter, the flakier the pastry. When it’s mixed into the fl our, the butter should be quite cold—refrigerator temperature. If it gets too soft or melts, it makes the dough oily. Have all the ingredients ready before you start: butter chilled and cut into roughly 1/4-inch cubes, flour measured, water icy cold. Work the butter into the flour quickly, using your fingertips. If you have one of those tools called a pastry blender, so much the better. The important thing is to work quickly, lightly rubbing the butter and flour together with your fingertips, or chopping and mixing with the pastry blender, for about a minute. (You can use a stand mixer, too, fitted with the paddle attachment, and mix for about a minute at medium-low speed.) Now it’s time to add the water. The water’s function is to hydrate the flour, thus activating the gluten. You need enough water to make a cohesive dough that is neither crumbly nor sticky. A dry, crumbly dough is hard to roll out and mealy to eat; wet, sticky dough makes tough pastry. The properties of both flour and butter vary, so the amount of ice-cold water you need to add will also vary. Measure out the amount called for, but don’t pour it in all at once. Start by adding about three quarters of the amount. Stir and toss the dough with a fork as you dribble in the water. Avoid working the dough or squeezing it together. (If using a mixer, pour the water down the sides of the bowl while the machine is on low speed, mixing for 30 seconds or less.) Add water until the dough is just starting to clump together—if it forms a ball it’s too wet. Test it by squeezing together a small handful. If it holds together, there’s enough water; if the mass is dry and crumbly, it needs more. Add more water a few drops at a time, stirring lightly between additions. When the dough is the right consistency, gently bring it together into a sha...

An omelet makes a light, quick, nutritious, and economical breakfast, lunch, or dinner. It is a comforting dish, thanks to its tenderness and the simplicity of its flavors: fresh eggs, a touch of butter, and a little cheese or other filling to add flavor and nuance. For the omelet I make most often, I stir fresh herbs (parsley, chive, sorrel, tarragon, or chervil) into the eggs before they are cooked and fill the omelet with a bit of Gruyère or soft ricotta. There are countless other possible fillings for omelets: the leftover spoonful of last night’s sautéed greens or roasted peppers, for example, or a morsel of braised lamb or sautéed ham. It should go without saying that very fresh eggs from hens fed organic feed and allowed to forage freely outdoors make the tastiest omelets. Farmers’ markets often sell such eggs. At grocery stores, look for eggs that are local, free-range, and, if possible, certified organic. Count 2 to 3 eggs per person. I prefer omelets that are not too thick, are delicately puffed and folded, and are still moist on the inside. To achieve this, I use this rule of thumb for the size of pan: 2 eggs in a 6-inch pan, 3 eggs in an 8-inch pan, 6 in a 10-inch pan, and no more than 12 in a 12-inch pan. The beaten eggs should be no more than 1/4 inch deep. The pan itself should be heavy and smooth-surfaced or nonstick. Preheat the pan over medium-low heat for 3 to 5 minutes before adding the eggs. This is the most important step for quick, consistent, and nonstick cooking. Crack your eggs into a bowl and, right before they are to be cooked, add a pinch of salt per egg (they turn watery when salted ahead), and beat them lightly with a fork or a whisk. The omelet will be more fluffy and tender if the eggs are well combined, but not beaten into a completely homogenous mixture. Put a knob of butter in the hot pan; it will melt and foam up. Swirl it around and, as the foam subsides and the butter starts to give off its distinctive nut-like aroma, but before it starts to brown, pour in the eggs. If you are making a large omelet, turn the heat up at this time to medium (this is not necessary with a small omelet). There should be a satisfying sizzle as the eggs enter the pan. The edges of the omelet will begin to set almost immediately (if they don’t, turn up the heat). Pull the edges towards the center with a fork or spatula, allowing uncooked egg to flow over the exposed bottom of the hot pan. Do this until the bottom of the omelet is set, lifting the edges and tilting the pan to let liquid egg flow underneath. When the eggs are mostly set, sprinkle on the cheese or other fillings. Cook a moment longer, fold the omelet in half over itself, and slide it onto a plate. To make a rolled omelet, tilt the pan down and away from you, shaking the pan to scoot the omelet towards the far edge of the pan and folding the near edge of the omelet over onto itself. Continue to tilt the pan, rolling the omelet towards the downward side. Then fold the far edge over the top and roll the omelet out of the pan onto a warm plate, seam side down. The whole process will have taken less than a minute. Drag a piece of butter over the top to make the omelet shine.

When I serve roasted vegetables, my guests often ask me, “How did you cook these vegetables? They are so delicious!” I tossed them with a bit of oil and salt and threw them in the oven, is my answer. Eyebrows rise in disbelief, but it’s true: roasting vegetables is that easy and that delicious. As vegetables roast, their flavors intensify and the brown caramelized edges they get add sweetness and texture. Very little oil is used during the cooking so they are quite light as well. Most any vegetable can be roasted, either simply with salt and olive oil or with garlic, herbs, and spices for added flavor. The critical points for roasting vegetables are: the shape in which they are cut; the seasoning and oiling; and the temperature at which they are cooked. Winter root vegetables should be peeled and cut up into smaller pieces, though the very tiny ones can be left whole. Carrots, turnips, celery root, rutabagas, parsnips, and kohlrabi are all excellent roasted. Cut the vegetables into pieces more or less the same size so they will cook evenly and be done at the same time. Avoid shapes that have thin edges, as they tend to burn before the centers are done; and don’t cut the vegetables too small or they will be mostly browned bits with very little soft flavorful vegetable left to eat. Toss the cut vegetables in a large bowl, using your hands or a spoon to coat them evenly with salt and olive oil. They only need a light coating of oil; if oil is accumulating on the bottom of the bowl you’ve used too much. Taste a piece to see if they are seasoned correctly and keep adding salt until it tastes right. Lay the vegetables out in a single layer on a baking sheet that has low sides. The sides make it much easier to stir the vegetables while they are cooking and keep them from drying out. Cook the vegetables in a hot oven preheated to 400°F. A lower temperature will dry out the vegetables while they cook, making them leathery before they are done; a higher temperature will burn them before they are cooked all the way through. Stir the vegetables a few times while they are cooking, turning those along the edges into the center. Cook them until they are tender and nicely browned here and there. Probe a piece with the tip of a knife to test for doneness, or better still, taste one (be sure to let it cool first). Don’t let them go too far: a little browning makes them sweeter, but if you let them get too dark they will taste bitter. Potatoes can be roasted whole. Use small new potatoes (fingerlings or creamer-size potatoes work really well). Wash the potatoes and peel them or not, as you prefer. Put them into a baking dish with sides as high as or slightly higher than the potatoes themselves. Sprinkle with salt and drizzle with olive oil. Add a head or more of garlic cloves, separated but not peeled, and a few sprigs of fresh herbs. Shake the pan now and then while the potatoes are cooking; turn them if they are browning too much on the top or bottom. Smaller winter squash, such as Delicata and acorn varieties, can be roasted in halves to serve right in the shell. Halve the squash and scoop out the seeds, place the halves cut side up on an oiled baking sheet, drizzle lightly with oil and sprinkle with salt, turn cut side down, and roast until soft. Unpeeled butternut or Delicata squash, once halved and seeded, can be cut into slices and laid on an oiled baking sheet to roast. The skin is so tender after roasting that it is fine to eat. Squash can be cut into cubes and roasted as well; it is wonderful with lots of fresh sage leaves tossed in before cooking. Fat asparagus—the butt ends snapped off, the spears peeled and tossed with oil and salt—roasts very well. Lemon thyme is an intriguing herb to use with asparagus. Stick to larger spears when roasting; the smaller spears tend to shrivel and dry. To roast broccoli, peel and cut the stems into thick slices and break the head into florets. O...

Sautéing is an exciting cooking experience. All your senses are engaged with the high heat, the loud sizzle of the pan, the active stirring and tossing, and the delightful smells of browning food and the perfumes of aromatics added at the end. Sautéing is best suited to small pieces of meat, fish, shellfish, and vegetables. The pieces are tossed or stirred in a hot pan with a small amount of oil. This cooks them quickly; meat stays succulent and vegetables fresh and juicy. A sauté pan has rounded sides, which makes it easier to toss the food than if you use a classic frying pan or skillet—although in a pinch, a frying pan will do a fine job. When sautéing, ingredients are added in quantity—though not in quantities that can’t be easily tossed or stirred—and need to be moved about quickly so that all sides of all the pieces make contact with the hot pan right away. The pan must be quite hot and the heat turned up before the cooking begins to ensure that the food is seared immediately. Otherwise it will start to sweat, lowering the chances of browning and raising the chances of sticking. There should be a gratifying sizzle when the food hits the pan. To check if the pan is hot enough, add a drop or two of water beforehand. Use an oil with a high smoking point to sauté. Clarified butter also works well, but whole butter will eventually burn, even when mixed with oil. Only a small amount of fat is needed, just enough to coat the pan and keep the food from sticking. Occasionally, some ingredients absorb all the oil and threaten to stick; add more oil right away, pouring it down the side of the pan so it has a chance to heat up on its way in. Meat and vegetables are seasoned with salt and pepper either in advance or right at the start of the cooking; most other seasonings are added towards the end to keep them from burning. In some recipes, garlic or ginger is cooked briefly in hot oil for flavor and removed before the main ingredients are added to the pan. Have all your ingredients ready to go before you start cooking, as there will be no time to gather them once you start to sauté.

Risotto is Italian comfort food, a luscious dish of tender rice in its own creamy sauce. Considered by many to be labor-intensive restaurant fare, risotto is actually a basic one-pot dinner that pleases everyone. Risotto is made from starchy short-grain rice, which, when moistened with successive additions of stock, gains concentrated flavor and a distinctive saucy texture. Of the special short-grain varieties that have been developed in northern Italy specifically for risotto the best known is Arborio; others are Vialone Nano (an extra-short-grain rice), Baldo, and my favorite, Carnaroli. All these varieties have short, plump grains that can absorb a lot of liquid while retaining some textural integrity (the grains are said to have a good bite), with abundant superficial starch to make the risotto creamy. Because the rice for a risotto is cooked in fat before any broth is added, use a heavy pot, preferably stainless steel or enameled cast iron, or the rice will scorch too easily. Pick a pot with relatively high sides (but not so high that stirring is difficult and evaporation is inhibited) and a diameter that is wide enough so that when the raw rice is added it’s between one-quarter and one-half inch deep in the pot. The first step is to make a flavorful base of sautéed diced onions. The onion is cooked until soft in a generous amount of fat (usually butter, but olive oil, beef marrow, and even bacon fat are sometimes used). Once the onions are soft the rice is added and sautéed for a few minutes. In Italian this is called the tostatura, or “roasting.” The idea is to coat and seal each grain of rice. The rice will begin to sizzle and turn translucent, but it should not color or brown. At this point, some wine is added, for fruit and acidity. For 1 1/2 cups of rice, I use about 1/2 cup of wine, but I never bother to measure it exactly; I simply pour in enough wine to reach the top of the rice, without covering it. This works for any quantity of rice and is much easier than trying to make a calculation. Adding the wine before the broth gives it time to reduce and lose its raw alcohol flavor. Red wine or even beer can be substituted. When you are caught without a bottle of wine, a teaspoon or so of tasty wine vinegar added to the first addition of broth will approximate the acidity of wine. After the wine is absorbed, broth is added. I use light chicken broth most often, but vegetable, mushroom, and shellfish broths also make lovely risottos. Keep in mind that your risotto will only be as good as the broth you use to make it. Unseasoned or lightly seasoned broths are best. Many recipes say to keep the broth simmering (in its separate pan) the whole time the risotto is cooking. This isn’t necessary; in fact, I prefer not to. The longer the broth simmers, the more it reduces, and its flavor can become too strongly concentrated. I bring the broth to a boil while the onions are cooking and then turn it off. The broth stays plenty warm. The first addition of broth should just cover the rice. Adjust the heat to maintain a constant, fairly vigorous simmer. It is not necessary to stir constantly, but the risotto needs to be tended to frequently, and it certainly cannot be left on its own. When the level of liquid has dropped low enough that the rice is exposed, add more broth to cover. The broth should never be allowed to evaporate completely; the starch will coagulate and burn. Keep adding the broth in small increments; the rice should neither be flooded nor be allowed to dry out. Season the rice with salt early on. My personal rule is to salt the risotto when I make the second addition of broth. This allows the salt to penetrate the grains of rice while they are cooking. The amount of salt needed will depend on the saltiness of the broth you’re using. From the time the rice is added to the onion, a risotto takes 20 to 30 minutes to cook. Taste it often to keep track of the seasoning ...

A pilaf is a savory dish of rice that has first been sautéed in fat and then cooked in a seasoned liquid. (It differs from a risotto in that the liquid is entirely absorbed.) Depending on the recipe, a pilaf may also include nuts, spices, a few vegetables, or even a complex meat stew. I make mostly simple pilafs, such as the red rice pilaf that follows, to go with quesadillas and black beans, or a basmati rice pilaf with saffron and onions to eat with a vegetable ragout. Long-grain rice is usually used in pilafs, although some cuisines use short-grain rice. Sautéing the rice before adding the liquid enriches the flavor of the dish and coats each grain in fat. This, along with thorough washing, keeps the rice from sticking together or clumping. Olive oil and butter are the most commonly used fats. To avoid burning the butter while sautéing the rice, add a little oil to it, or use clarified butter (see page 125). Onion is usually sautéed for a few minutes in the fat before the rice is added. After the rice is sautéed, a flavorful liquid is poured over it and brought to a boil. The pilaf is simmered, covered, until all the liquid has been absorbed, about 15 minutes. Depending on their cooking times, vegetables and meats are added sometimes with the liquid, sometimes after the rice has been cooking for a while. The tomato in the red rice pilaf here is added at the beginning to color the rice evenly. When done, pilafs should be allowed to rest for about 10 minutes before serving.

Polenta is a very simple dish of ground corn cooked in water. It is exceptionally tasty and, like pasta, remarkably versatile. When first cooked, polenta is soft; as it cools, it becomes firm and can then be fried, grilled, or baked. Soft or firm, polenta is great next to roasted or braised meats, or sauced with a spoonful of tomato, meat, or mushroom sauce. For variety, fresh corn or fava beans can be stirred into soft polenta. Polenta can be turned into a luscious torta by layering it with cooked vegetables, cheese, and sauce. Whether ground from yellow or white corn, polenta is ground coarser than cornmeal but finer than grits. When fresh it smells sweet and looks bright yellow. Like all grains, it should be stored in a cool, dark place and replaced when old. Cook polenta in boiling water. The approximate ratio of water to grain is four to one. This will vary depending on the variety of corn, how coarse it is ground, and how fresh it is; each batch you buy may be slightly different. Choose a heavy-bottomed pot when cooking polenta to avoid sticking and burning; use a flame tamer if a heavy pot is not available. Bring the water to a rolling boil and add the polenta in a slow, steady stream while stirring constantly with a whisk. Turn the heat down and continue whisking for 2 or 3 minutes, until the polenta is suspended in the water and no longer settles to the bottom of the pot. (This helps keep it from sticking to the bottom of the pan.) Season with salt and cook the polenta at a bare simmer, stirring occasionally, for about an hour. The polenta will be fully cooked and softened after 20 to 30 minutes, but the longer cooking time allows its full flavor to develop. Be warned that the thick polenta is very hot, so be careful when stirring and tasting. I spoon a bit onto a small plate to cool before tasting. Polenta should have a pourable, creamy consistency. If the polenta becomes thick or stiff while cooking, add water as needed to maintain the proper consistency. If too much water is added by accident, and the polenta becomes thin and soupy, just keep cooking it to evaporate the water. Polenta will set up quickly if not kept warm, so turn off the heat and cover the pot to keep it soft and hot for 20 minutes or so, or hold it for a longer time in a double boiler or by setting the pot in a larger pot of hot water. Polenta can be finished with butter or olive oil and cheese to enrich it and add flavor. Parmesan is the classic cheese to stir in, but try others; fontina, cheddar, or pecorino for example. Mascarpone or blue cheese is a luxurious garnish to top a bowl of soft polenta. To make firm polenta, spread hot soft polenta evenly onto a rimmed baking sheet (it is not necessary to oil the pan). A depth of about one inch works well for most purposses. Let the polenta sit at room temperature or refrigerate until set. Don’t cover until it has cooled. The firm polenta can be cut into shapes to bake, grill, or fry. To bake, brush with oil and bake at 350°F for 20 minutes or until crisp. To grill polenta, brush it with oil and place on a grill over hot coals; to prevent it from sticking, make sure the grill is hot. To fry, use shallow or deep fat. Polenta will always set up when cooled, but both very thin polenta and polenta that has been finished with a lot of butter or oil can fall apart when grilled or fried. A polenta torta is made of alternate layers of polenta—either freshly made soft polenta or polenta that has already cooled and set—and sauce, such as tomato sauce, meat sauce, or pesto; cooked greens or other vegetables; and cheese. A polenta torta is a great make-ahead dish, ready to heat up any time.