Simmer

This recipe produces a puree that is smooth and creamy without adding any heavy cream. Instead, the vegetables are boiled in milk and then pureed with some of the reserved cooking liquid, resulting in a side dish with a pure vegetable taste. When pureeing in a blender, add only enough liquid to keep the blade spinning freely. The fennel puree is delicious with the seared scallops on page 260. It can also be thinned with some of the strained cooking liquid to form a soup.

This “white” stew borrows a nonbrowning method commonly used in making blanquette de veau, one of the canons of French cuisine. In that dish, a stew of veal, onions, and mushrooms is blanketed in a creamy sauce. The meat is never browned (hence the term “white stew”); the stock is thickened with a roux and, traditionally, a secondary thickener called a liaison, made with egg and cream, making it exceptionally rich. This recipe, however, opts for springtime produce over the usual vegetables and makes the liaison optional (you can omit the egg and just stir in the cream, without tempering). To make a classic blanquette de veau, see the variation that follows.

Infusing liquid—cream, milk, or stock can all be used in this recipe—with herbs is a simple yet effective way to add depth of flavor to purees and other preparations (see the gratin on page 320). Garlic is a complementary flavor for potatoes; we boiled the cloves along with the potatoes to mellow their flavor, but you can use Oven-Poached Garlic instead (page 306). For a lighter-bodied puree, replace the cream with milk or stock, or use a combination. For a richer puree, reduce 1 1/2 cups of heavy cream by half, then infuse with herbs.

Curry paste, the flavor base for many Indian stews, often begins with a puree of onion, garlic, and ginger, which is sautéed with spice blends (masalas) until golden brown and caramelized. There are countless varieties of curry pastes in Indian cooking, and the one in this recipe is among the most basic and traditional. The spice blends used in Indian curries are first either toasted in a dry pan or sautéed in oil; in both methods, the heat stimulates the oils in the spices—you’ll know they are ready when they are fragrant (keep a very close eye on them, to prevent burning). Once you’ve mastered the technique, you can make a variety of curries using fish, shrimp, beef, lamb, goat, or one or more vegetables, such as cauliflower or peas and potatoes.

Although it may seem like a complicated restaurant dish, bouillabaisse has simple origins in the French seaport city of Marseille, where there is an abundance of freshly caught seafood (and an aversion to waste). Julia Child defined it as a “fisherman’s soup, made from the day’s catch,” or from its leftovers. What it actually consists of depends on whom you ask. A pot will typically have at least four types of fish (some insist on no fewer than seven) and a roster of regional ingredients, notably fennel, garlic, saffron, tomatoes, orange zest, and olive oil. Purists would insist on using fish only from the local (Marseille) waters and absolutely no shellfish, while others take a more liberal approach, improvising here and there but basically sticking to the same formula. Most everyone agrees on the required accompaniments: rouille and croutons made from a crusty baguette. The process for making the stock, which is similar to a classic fish fumet (page 55) but with Mediterranean flavors, takes little time; since it gives the finished dish its rich flavor, don’t skimp on this step. Rouille is a variation of mayonnaise (page 95), with spices, garlic, and fish stock for added flavors as well as bread for a rustic texture. It has a tawny color from the addition of saffron (hence its name, which means “rust” in French).

This stew is a variation on the well-known French favorite, boeuf bourguignon, also made with mushrooms and onions; here, stout replaces the red wine, but you could make the stew with either. There are a few steps that help enrich the flavor of this dish, all of which are classic in making some stews. First, lardons are cooked to render their fat for use in subsequent steps (they are added to the stew at the end, too). Next, the beef is browned and the pan deglazed to incorporate all of the tasty bits. Then, a bit of Dijon mustard is stirred into the aromatics. For even richer flavor, you can add about a half cup of glace de Viande (page 52) along with the stock. The stew is thickened with a small amount of flour and by simple reduction; that’s why the lid is kept partially askew while the stew simmers, to allow some moisture to escape. Buttery noodles make a perfect accompaniment, as they soak up some of the flavorful broth, while julienned carrots and freshly grated horseradish add fresh flavors—and a little textural contrast—to the otherwise rich dish.

Hard-cooked eggs should never actually be boiled for any length of time, or they will turn rubbery and dry. Instead, follow the directions below for gently cooking eggs—the whites will be tender and yolks still slightly soft in the center. These eggs would be perfect for sprinkling with salt and pepper and eating whole, halving and scooping out the yolks to make deviled eggs, or cutting into wedges for salads. They are also the starting point for making the classic mayonnaise-based egg salads. Soft-cooked eggs are classically served in their shell in a cocottier (small egg cup), with a tiny silver spoon and toast points (triangles) or soldiers (baton shapes) for dipping into the still-soft yolks. The eggs are also delicious scooped out of the shells and served on slices of toasted buttered rustic bread.

Consommer means “to accomplish” or “to finish” in French, and consommé is indeed a “finished” stock. (In a culinary context, one could say that to make a consommé is to bring out in full all of the flavors.) What gives consommé its purity and clarity is a bit of culinary magic: Egg whites (combined with mirepoix and ground meat) coagulate in the soup and rise to the top (forming a “raft”), drawing up any impurities that would otherwise cloud the stock. This mixture also infuses the broth with deeper flavor, as does an onion brûlé (or charred onion), which imparts deeper color to the broth. After an hour or two of simmering, the raft is also discarded, leaving behind a clear, intense broth. Consommé can be served either hot or cold, usually garnished in some way or another (there are literally hundreds employed in formal French cuisine); one of the more common embellishments is vegetables cut into julienne or brunoise (page 14), such as the blanched carrot and leek shown here.

As its name implies, this sauce is extremely versatile—you can brush it on chicken (whole or parts), ribs, steak, even vegetables. A small amount of butter is added at the end for a smooth finish; feel free to leave it out, especially if you’re using the sauce with a particularly fatty piece of meat.

This soup is best made with farm-fresh peas, but you can substitute a ten-ounce package of frozen peas in a pinch. Since spinach and peas cook in such a short amount of time, do not add them to the pot until the stock has reached a boil. This soup is finished with lemon juice rather than cream or buttermilk. For an elegant presentation, garnish the soup with Frico (page 75).

Perhaps the best known cold pureed soup, vichyssoise is a simple puree of potato and leeks that is traditionally enriched with cream; adding a bit of buttermilk along with the cream gives this version a pleasant tangy flavor. Here, leeks serve as both an aromatic, replacing the onion, as well as one of the base vegetables. Garlic is typically not used. The amount of stock or water called for is also reduced, since both cream and buttermilk are added. If making the soup for company, buy an extra leek to prepare the Leek Frisée (page 75) for the garnish.

A well-made risotto is a culinary feat: Small, firm grains of rice float, suspended, in a rich, creamy sauce. When scooped onto a shallow plate or bowl, a good risotto should have a loose consistency, rippling into a tight pool on the plate (it should not be soupy, though). As the Italians say, it should be all’onda, or “with waves.” Unfortunately, many cooks (home and professional) make risottos that are too thick and dense, more like a porridge. But preparing a successful risotto is actually easier to accomplish than you may imagine. It involves no special tricks, just careful observation (and a lot of stirring). Allow your senses—taste, sight, and smell—to tell you when it’s done. The type of rice is critical to the dish. Italian rices, such as Arborio, Carnaroli, or Vialone Nano, are the best choices for the particular composition of starches risotto requires. During cooking, the soft starch on the outside of the grains readily dissolves to form the intrinsic creaminess, while the inside remains al dente (firm “to the tooth”), giving risotto its characteristic bite. Because its flavor will permeate the dish, the liquid used is equally important, and what you use should depend on what else is being added to the dish. Many recipes call for chicken or vegetable stock, but these can prove too overpowering, especially when the dish will be simply seasoned with a handful each of cheese and herbs, as in the recipe below. So instead, the recipe calls for a simple broth that incorporates some of the ingredients used to flavor the dish, here celery, carrot, onion, garlic, and parsley. Likewise, for a shrimp risotto, you could make a broth by combining the shells with lemons and herbs; or you could sauté or roast the bones from meat, fish, or chicken and then simmer them with water. If you prefer deeper flavor, follow this same principle to enrich existing chicken or vegetable stocks for using in risotto. Making a risotto is a lot like making a stew: First, you begin by sautéing an aromatic ingredient. Then the rice is stirred in and toasted to give it a nutty flavor (similar to pilafs) and to loosen some of its starch. After a few minutes, as you stir, the grains eventually become slightly more translucent and they begin making a clicking noise, which tells you it’s time to add the wine. When the wine is stirred in, the rice releases a bit more starch, turning the liquid slightly milky, a sign of the creaminess to come. Once the wine is absorbed, the stock is added, ladleful by ladleful. Near-constant stirring will ensure that the rice cooks evenly and helps release the soft starch on the outside of the grains. The final step of any great risotto is to “mount” it with butter, which gives the risotto richness, and to add in any final seasonings (in this case, grated cheese, freshly ground pepper, and parsley), just before serving. In certain regions of northern Italy, the risotto method is used to cook other grains, such as farro, an ancient grain with a nutty taste. It will produce a dish with a slightly chewier and less creamy texture (see the farro variation with wild mushroom see below).

The onion can be substituted with one leek or two large shallots (this is true for the variations, too) and the spinach with other leafy greens, such as chard, kale, watercress, or sorrel. For a soup with brighter color, the leafy greens are added in the last five minutes of cooking, just so they are given a chance to wilt.

Mushrooms need to be cooked briefly to remove some of their liquid—and concentrate their flavor—before being simmered in the stock. For added flavor, sherry is used to deglaze the pan.

Cooking rice by the absorption method on the stove is easy, as long as you leave the lid on while cooking to trap as much steam as possible (check only toward the end of the recommended time) and avoid overcooking. Let the rice sit after cooking to absorb the water completely, and fluff rice with a fork just before serving. Although many recipes call for a ratio of 2 cups water to 1 cup rice, using less water (1 1/2 cups) produces lighter, fluffier results.

Broccoli is used here to demonstrate the basic method for making a velouté-based soup; cauliflower can be easily substituted for the broccoli, resulting in a soup that is creamy in color and texture. Or use asparagus: Cut off the tips and blanch to use as a garnish, then trim the tough ends of the stalks before cutting into 1-inch pieces. Proceed with the recipe as written, cooking the stalks for 5 to 8 minutes. For any of these, simply replace the stock with an equal amount of whole milk to make a béchamel-based soup.

To make this delicious gravy, you will need to first make a flavorful stock with the reserved turkey giblets and neck (you can do this while the turkey is roasting). Also, reserve 3 tablespoons of the pan drippings from the turkey roasting pan (after the turkey has been removed to a platter), as well as the pan itself. Pour remaining drippings into a gravy separator and let stand until fat has risen to the top, about 10 minutes, or pour into a glass measuring cup and discard the fat that rises to the top.

The simplicity of miso soup belies its significance to Japanese cuisine, where it is a common course for breakfast, lunch, or dinner. It is ubiquitous on Japanese restaurant menus here in the United States, but miso soup is so uncomplicated to prepare that any home cook can make it. Variations are numerous, from the type of miso to the addition of vegetables, such as mushrooms or spinach, or other ingredients, such as tofu. Miso, or fermented soybean paste, is a staple of Japanese cooking. Depending on the amount of salt and koji (the mold used in the fermentation process) used, miso varies in color, flavor, and texture. Lighter versions, such as the white miso called for here, have a mild flavor and lower salt content; they are best reserved for delicate soups and sauces. The pronounced flavor of darker varieties (which include reddish-brown and dark-brown pastes) is better for more robust dishes. Shinshu miso, an all-purpose paste with a golden color and salty but mellow taste, would be a fine substitute for the white miso in this recipe. Wakame is another type of seaweed widely used in Japanese cookery, most often in soups and simmered dishes. It is available fresh or dried; to rehydrate dried wakame, soak in warm water for 20 minutes and drain before using.

This quick and easy stock has many uses in Japanese cooking, including dipping sauces (such as the one on page 336), noodle dishes, and, most commonly, as the base for miso soup. It calls for just two ingredients—kombu and bonito flakes—and water.