Parmesan

This is the butter version of the Raw Olive Oil dressing for pasta on page 107. I make it at least four times a week, whenever Lorenzo and perhaps some of his cousins want “cheesy pasta” or gnocchi.

Though I’m reluctant to use out-of-season, commercially produced fresh tomatoes in a sauce, tomatoes from hothouses are a decent alternative. I sometimes dice up such a tomato for a quick skillet sauce, where the texture and color of the flesh are enjoyable, giving a dish acidity and freshness. A good example is the Sauce of Anchovies, Capers, and Fresh Tomatoes on page 91. Here is an even simpler one, for which a ripe market tomato will do, even in winter. Try this simple sauce with Shrimp and Tomato Ravioli (page 182), or tagliatelle, or capellini.

On occasion, I cook a pasta that I want to dress so simply that I do not even take down a skillet, especially if the pasta is a fresh pasta rich in flavor, such as all-egg pasta, chestnut pasta, walnut pasta, or whole-wheat pasta. For those days when you need simplicity in your life but still want flavor and elegance, this approach is perfect.

The enormous residual heat of polenta is sufficient, as the saying goes, “to cook an egg.” Do just that to make this treat for breakfast or brunch.

The way I roast turkey, I never stuff it. Instead, for holidays and special occasions when a turkey needs a special dressing, I make a gnoccho grande, a large loaf-shaped dumpling of bread crumbs, eggs, seasonings, and festive tidbits of dried fruits and nuts, wrapped in cheesecloth and poached in broth. Since I usually cook a big pot of turkey broth the day before I roast the turkey (to have plenty for the roasting pan), I’ll poach the gnoccho grande while it’s bubbling away. The next time you make turkey broth, try this wonderful big dumpling. It’s a great accompaniment to any poultry or meat dish, not just turkey, and a fine soup garnish, or cook it in the broth from Whole Poached Chicken (page 328).

I make a platter of these crumb-coated baked morsels for the kids when they come over because I know they will enjoy them and be nourished. But I notice most of the adults take a piece too. The cutlets have the crunchy appeal of fast-food-style fried “nuggets” and “fingers,” but they are better in every way. (You may notice that the coating is the same blend of grated Parmigiano-Reggiano and bread crumbs that is so good on broccoli-and-cauliflower and string-bean gratinati, in chapter 4, pages 243 and 245.) Turkey has great flavor and texture, but chicken-breast pieces are also good prepared this way. I usually buy turkey-breast cutlets (organic or naturally raised) and slice them up; packaged turkey tenders (the meaty flap inside the breast) are even more convenient— cut them in half, or pound them flat and use the whole tender. The crispy tenders are great served with a green salad. Instead of the usual ketchup condiment, try some Summer Tomato Sauce (page 256), or the Quince, Cranberry, and Apple Sauce on page 367. They are wonderful served as a main course with Skillet Brussels Sprouts (page 271) or Skillet String Beans with Gorgonzola (page 247).

You may be surprised to find recipes with chicken, veal, and pork cutlets in my vegetable chapter. But the inspiration for this distinctive group of dishes is the vegetables that cover and surround the small portions of meat. When zucchini, eggplant, and (especially) tomatoes are at their best in the summer—and when I’ve an abundance of fresh tomato sauce in the refrigerator and freezer—I cook these beautiful one-pot dinners. I call these “skillet gratinati” because a large skillet or sauté pan is an essential part of the cooking. First you sauté your vegetables (in some instances) in the skillet; then you gently brown the meat cutlets in the skillet; then you layer lovely individual servings in the skillet; and then you develop your sauce in the skillet. Finally, you place the whole skillet in a hot oven, where the meat and vegetables cook until tender, the sauce thickens, and the crowning layer of grated cheese turns into a golden, crisp gratinato. (The whole cooking process takes little more than half an hour.) The first stage, on top of the stove, is the most fun, when you create your main dish and sauce in one pan in minutes. Having all your components ready and staying close to the pan will ensure success with this simple dish. The gratinati here are similar in technique but offer different ideas for ingredients. The most detailed instruction is in the main recipe that follows, with briefer descriptions in the equally delicious variations (page 315 and page 317). Once you understand the process, do experiment, using different meats, vegetables, herbs, and sauces—make the skillet-gratinate technique your own.

One day, when I was wondering what to make with a nice batch of fresh green beans, my daughter Tanya remembered a salad she’d had on a recent trip to Italy—perfectly cooked green beans, cherry tomatoes, basil, and cubes of fresh mozzarella. Because I love to take things a step further, I decided to combine the very same ingredients in a casserole and bake them with a crosta (crust) of bread crumbs and grated cheese. It was wonderful. And it is a fine example of how one simple procedure—baking ingredients coated with cheesy bread crumbs—can work so well with so many foods. The Broccoli and Cauliflower Gratinate (page 243) and the Crispy Baked Turkey Cutlets (page 310) use the same method. Of course, there’s another kitchen principle evident here: good ingredient combination lend themselves to different preparations. If you want to try Tanya’s original salad with green beans, tomatoes, basil, and mozzarella, I give a formula following the main recipe.

These crispy, cheesy, caramelized florets of broccoli and cauliflower are a wonderful mealtime vegetable. But they’re so tempting, easy to pick up and pop in your mouth, that they would make a hard-to-resist impromptu hors d’oeuvre before dinner begins. You can prepare either broccoli or cauliflower alone with this recipe, though a combination is especially colorful. The florets are partly cooked by my covered-skillet method, then tossed with grated cheese and bread crumbs and baked until golden. The cauliflower and broccoli cook at different rates in the skillet, as detailed in the recipe. If you’re preparing just one kind of florets, simply adjust your timing.

Another wonderful way to use bread—something that we always have in abundance in our house, fresh, day-old, and dried—is as an element of many savory dishes. It is used in appetizer gratinate, soups, and salads, and day-old bread is great in desserts. Here bread slices are the base and substance of a summertime vegetable lasagna, in place of pasta. I give you two versions, one with raw zucchini, one with briefly sautéed eggplant slices. Assembly and baking are the same for both. You could multiply the recipe and make this as a big party or picnic dish. It’s wonderful warm or at room temperature as a hearty side dish. To vary: use egg-battered zucchini strips (page 21) for a scrumptious lasagna; or roast the eggplant instead of frying it; or combine zucchini and eggplant (sauté zucchini slices first, though). The good flavor comes from Summer Tomato Sauce. The recipe on page 256 will give you enough for a big casserole and for several pasta dishes too. But you could use other sauces, such as a marinara or a plain tomato sauce.

I love making risotto for family meals. It’s not something I have time for every day—it takes a good 30 minutes, mostly at the stove—but it is one of those special dishes that focus my attention and engage all my senses in the amazing processes of cooking. I smell, see, and taste what’s in the risotto pan, of course, but I am listening too: for the clicking sound that tells me the rice grains are sufficiently toasted and it’s time to splash them with wine; for the distinctive bubbling as each addition of cooking liquid disappears in the pot, which tells me the rice is ready for more. If I’ve stepped away from the stove—I do take a break from stirring risotto now and then, and you can too—that sound brings me back. I add more liquid and stir (and stir and stir), and feel, through the wooden spoon in my fingers, the corner of the pan where the rice is almost sticking, the resistance that tells me yet another cup of broth is needed before I wander away again. The Basic Risotto recipe that follows is one that will give you this marvelous engagement of the senses. It’s a simple formula that will let you focus on the critical steps in cooking—in the end, creating a great risotto is 100 percent technique—not on a long list of ingredients. You can make this right out of the cupboard, building flavor and superb texture with just olive oil, onions, rice, wine, water, salt, and cheese. Nothing else, not even butter, is necessary. I give you choices, though: use butter or leeks or broth if you want, or more or less of the ingredients listed in ranges. I want you in the driver’s seat, following your senses and tastes, to achieve the texture and flavor you like best (see more on these choices in the box on page 228). With risotto, you see, it is more important that you understand what you are doing than that you add things in prescribed amounts. When you are in control of what’s happening in the pot, you will feel how powerful a few ingredients and a few techniques can be in creating an outstanding dish. To sharpen your focus, you’ll find each step of the recipe instructions accompanied by a brief explanation of its purpose and the chemistry of risotto—these are short, and, believe me, you will have plenty of time to read them while you are stirring! And if you have further questions about risotto, write me at www.lidiasitaly.com. I love teaching about this precious treasure of Italian cooking.

This appetizer torta is made with chilled polenta, not soft polenta like a pasticciata. It’s as rich as any dessert cake but much simpler and faster. Make it in any size you want, but even this small cake will be enough to serve six uninhibited eaters.

Polenta pasticciata is a layered baked dish, just like lasagna, but made with warm, fresh polenta instead of pasta. And, like lasagna, it is marvelously versatile: you can put all manner of good things in between the layers of polenta—cheeses, vegetables, meats, or sauces, or a combination. I’ve narrowed down the possibilities for this pasticciata, which is filled with one of the savory long-cooked sauces on pages 134 to 155. Most of them make great fillings, with intense flavor and chunky texture that complement the mild sweetness and softness of the polenta. So I am leaving the final choice of sauce to you: whether you decide to use one of the guazzetti or meat Bolognese or the mushroom ragù or Savoy-cabbage-and-bacon sauce, the procedure is exactly the same. Perhaps you have one of these in your freezer right now! If you’ve got 4 cups, that’s enough to fill a pasticciata that will serve eight as a main course, or even more as a side dish, perfect for a buffet or large dinner party. But don’t give up if you only have 3 cups of mushroom ragù or guazzetto. If you also have Simple Tomato Sauce (page 132) on hand, blend in a couple of cups to extend your base sauce; or simmer up a quick marinara to use as an extender. You have lots of flexibility with polenta pasticciata: use the cheeses you like in amounts you are comfortable with. To make a deep pasticciata with thick layers, which makes a great presentation unmolded, assemble it in a 3-quart baking dish or a 12-inch cast-iron skillet, filled to the brim. For a crispier texture and for more golden gratinato on top, spread the layers thin in a wide shallow casserole. Use besciamella to add moistness and richness, or do without it. With good basic polenta and a deeply flavored long-cooked sauce, your pasticciata will be delicious however you make it.

Corn, polenta, came to Italy from the New World, and yet, along with pasta and rice, it is one of the beloved starch dishes of Italy. Polenta was for the northeastern regions of Italy what potatoes were for Ireland. Corn grew in abundance there and fed many people and still does, so much so that the people of the Friuli-Venezia Giulia region are known as polentoni, polenta eaters. I come from the region, and I grew up eating polenta and still do eat it often. As a child I had just cooked or leftover polenta for breakfast with milk and sugar or with caffe latte, or pan-fried with some sugar and cinnamon sprinkled on top, as well as in endless ways accompanying vegetables, meats, fish, and cheeses. It is rather simple to cook—all you need is cornmeal, water, salt, olive oil, and a few bay leaves. When done, you can enjoy the polenta piping hot or let it cool and take shape, then cut and fry it, or grill and bake it, topped with anything you choose. In this chapter you’ll find it with leeks, with bacon lardoons, with Montasio cheese, or with just an egg yolk nestled in a piping-hot mound of polenta. Beyond the flavor of polenta, I look for the mouth feel, and that depends on the grind. Instant polenta will give you a smooth puddinglike texture, the medium grind a bit more texture, and the coarse will have almost a raspy feel in your mouth. There is also white polenta, milled from white corn, which is used much in the Veneto. And the polenta taragna, which has buckwheat milled along with the yellow corn, has much texture and flavor. The one important caution in cooking polenta is to get it smooth. Start it in cold water and whisk well while it cooks; it may take a bit longer but ensures lump-free polenta. Even though polenta might look done, make sure you cook it the recommended time; its digestibility and flavor increase with longer cooking time.