5 Ingredients or Fewer

The cocktail takes its name from the single-barrel ninety-proof bourbon whiskey Eagle Rare, but any high-quality bourbon can be substituted. The small amount of fresh lime juice is needed to add brightness to the drink, not flavor.

Pimm’s No. 1 is a gin-based beverage made from dry gin, liqueur, fruit juices, and spices. When combined with club soda or ginger ale and a cucumber spear, it becomes a Pimm’s Cup. Pimm’s No. 1 was created in the mid–eighteenth century by English oyster bar owner James Pimm. The recipe is still a secret; supposedly, only six people know exactly how it is made. It has a dark golden brown color, a medium body, and a taste of quinine, citrus fruits, and spice. Its low alcohol content—only 20 percent—makes it a perfect lunchtime cocktail. The cocktail found its home in the States in New Orleans in the early twentieth century when an anglophile bartender at Napoleon’s put it on their menu. The addition of lemonade distinguishes the American version from the classically British Pimm’s cup.

Cooked sweet potato adds body and flavor to these biscuits, but they are more savory than sweet—just right for buttering and sopping up gravy of any kind. Try them with Not Really Son-of-a-Bitch Stew (page 221), Tom Perini’s Chicken-fried Steak (page 227), or Beer-braised Short Ribs (page 222).

Good redneck that he is, John Pennell says he started making sausage out of every critter he hunted. Apparently that wasn’t enough, and he turned to making it out of quail purchased from nearby Diamond H Ranch in Bandera, Texas, a leading quail breeder and processor. Soon John’s sausage became so popular that he chucked a sixteen-year stint in construction to concentrate on a new business: Uncle John’s Quail Sausage. He ships his sausage all over the country and supplies numerous Texas restaurants (mine included) with his delicious quail links. Uncle John’s getting pretty well known in these parts, but I’m just as big a fan of his wife, Lanette, leader of Almost Patsy Cline, one of the area’s top party bands. A vocalist, songwriter, and bassist, she and fellow vocalist and keyboardist Vicki Gillespie started the band in 2002. The duo got so many requests for covers of country legend Patsy Cline’s songs that they named their band after her. As the band’s popularity grew, they brought in artists Larry Nolen (guitars, vocals), Bryan Kibbe (guitars, vocals) and Rick Reynolds (drums, vocals), expanding the group’s repertoire to include the music of numerous male legends. I’d sure like to have Almost Patsy Cline at my next party. On the menu, of course, would be Uncle John’s quail sausage on skewers, making it easy to grab a bite and keep on dancing.

I recently happened upon a sand dollar cookie stamp at Der Kuchen Laden, Frederickburg’s topnotch kitchen store, and snapped it up, thinking what a great hit beach-themed cookies would be during Gulf Coast getaways. For kids summering on Bolivar Peninsula, a day at the beach meant a fistful of sand dollars, sugar shells, and colorful beach glass as smooth and opaque as Texas honey. Sand dollars were the hardest to find because the disk-shaped marine creatures habitually burrow into the sand. We’d swim out to the sand bars and dig for dollars by burying our feet a few inches into the sand and sliding along until our toes hit the critters’ hard internal shells. We’d pluck them out of the sand and haul them home. Popular legend holds that sand dollars are really mermaid’s coins. If I’d heard that as a little girl, I surely would have gathered even more. This recipe is a variation on the common shortbread cookie, without eggs or other leavening, because, according to the cookie stamp people, the rising of the cookies obscures the pattern left by the stamp. Makes sense to me. Although it is expensive, I like to use vanilla bean paste because it has little flecks of vanilla seed in it, giving the cookie a sandy, beach look. It is available at kitchen specialty stores and at many upscale grocers.

This hearty salad is packed with so many vegetables that I often serve it as a main course. It’s a real lifesaver when guests announce, “Oh, by the way, did I mention I’m a vegetarian?” It welcomes just about any edible treasure from the farmers’ market or my garden, from sliced sugar snap peas to colorful nasturtium flowers, slender French green beans to crunchy cucumbers, plus all kinds of peppers. Think seasonally: try fall veggies like roasted acorn squash, steamed broccoli florets, or fall lettuces, or bias-cut and steamed spring asparagus. Any good artisan bread will do, but I prefer a dense white or whole-wheat sourdough; try day-old loaves from your bakery.

This is an easy, off-the-cuff dessert with plenty of options and jumping-off points. If you want something richer, feel free to use higher-fat yogurt. I pair the rhubarb with strawberries because the two have overlapping seasons and are such stunning partners, but if you’ve got access to other good fruit, this parfait also works beautifully with blackberries, raspberries, blueberries—even winter citrus, such as neat slices of Cara Cara or blood oranges, clementines, or tangerines.

I’ll admit to a tendency toward obsession, especially when it comes to food, as my experience with duck eggs proves. I bought my first dozen a few years ago at the Saturday farmers’ market at 14th and U Streets in Washington, D.C., and from the first time I fried one, I was pretty much hooked, buying duck eggs and only duck eggs and going through a dozen every week or two, at least while the ducks were laying. I’ve since veered back toward moderation, especially after remembering that these richer, more flavorful eggs are also higher in saturated fat and much higher in cholesterol. Still, I like to splurge every now and then, and this puffy frittata is one of my favorite ways. It also illustrates the magical properties of egg whites as a leavener; the simple process of separating whites from yolks, beating the whites to the soft-peak stage, and folding the two together results in a light-as-air texture, something between a frittata and a soufflé. Nonetheless, you can use these same ingredients in a more straightforward frittata; instead of separating the eggs, just follow the method for the Mushroom and Green Garlic Frittata (page 32). And if you can’t find duck eggs, chicken eggs work fine here, too.

I have made these tomatoes for more than a decade now, but it wasn’t until my sister’s homegrown Maine wedding, where I made hundreds of them for the appetizer table, that I realized how perfect a technique this is for “putting up” local tomatoes in the peak season. The low heat of the oven turns the tomatoes almost jammy, concentrating the flavor beautifully, which makes them perfect as a topping for bruschetta, pasta, or pizza (see Smoky Pizza Margherita, page 106). They also can be served on an antipasti platter with mixed olives, cheese, pickles, and/or smoked fish. I call them 12-hour tomatoes, but the amount of time it takes depends greatly on the size and juiciness of the tomatoes. So for the least fuss, don’t mix varieties or sizes in one batch, but feel free to multiply this recipe as you wish. Left in the oven long enough, the tomatoes will start to become a little chewy around the edges, which make a nice counterpoint to the moisture inside. Try other spices instead of the cumin: regular paprika, smoked Spanish paprika (pimenton), and cinnamon also work well with the tomatoes, or you can stick with just salt and pepper for the purest tomato flavor.

Salting is a way. It’s the path you take. It lets you discover a passage through the brambles, defines the terrain ahead, sets you on a lost trail, and, toward the summit, reveals key ledges and handholds. The better your use of salt, the higher you can climb and the more enjoyable the ascent. And the view from up top is worth it. The Meadow Martini is a diamond-perfect expression of salt’s power to offer the clearest imaginable view of the most magical possible vista. Crushed Tasmanian pepperberries send blossoms of hydrangea crimson into the translucent liquid of the gin, unleashing extravagant botanical flavors. Tasmanian pepperberry (Tasmannia lanceolata) is sometimes used as a substitute for Szechuan pepper, though it harbors none of the heat and frankly bears no resemblance. If you can’t locate any, substitute a few petals of dried hibiscus or just enjoy your martini in its classic perfection, an arc of Shinkai Deep Sea salt as its only embellishment. Shinkai imparts to the lips the felicitous texture of confetti, and the unalloyed flavor of happiness itself.

Imagine strolling home along the long dusty road after a hard day in the fields. At the crossroads you encounter a gaggle of tow-haired youngsters sitting at a card table. “Sidecar, mister?” they shout. The sidecar is a lemonade drink for grown-ups. A touch of salt opens up the entire experience, makes it restorative. Citrus playing tag with sugar, chilled juice teeter-tottering with warming alcohol, the entire drink alloyed with salt’s wisdom and captured beautifully in a glass of coppery liquid.

Salt isn’t fat soluble. On the face of it, this statement might not exactly make your spine tingle with excitement. Another unsexy observation: solid fat melts when heated. But combined, these two fatty facts provide the basis for one incomparably delicious meal. Heat a Himalayan salt block and toss on a duck breast, fat side down. The fat will immediately melt, but because salt isn’t fat soluble it will not dissolve, and the duck breast will pick up only the faintest trace of salt. When you flip the breast to the lean side, the moisture on the surface of the meat will start to flow and the meat will take on a beautiful glaze of salt that carries the whole dish. Meanwhile, you can fry potatoes in the hot fat glazing the salt block! Simple as this dish may seem, it makes the best duck breast I have ever eaten. Serve with a good Rhône or Languedoc wine.

Flank steak has to be pretty much the best thing this side of getting a foot rub while drinking a root beer float. But it’s tough. It’s ornery. There is a common strategy to making flank steak supple enough to eat without popping your jaw out of joint: marinating. I’ve made coffee and ginger marinades, lime and tequila marinades, smoked salt and chile pepper marinades, vinegar and sugar marinades, you name it. Every time, great steak. But think of the poor steak: a wonderful, flavor-packed piece of meat subjugated to intense acids and sugars and salts. What if you’re a purist, racked with guilt? The flank steak puts you in a quandary. How do we get the elemental flavor out of a meat that resists the teeth? As usual, the solution to every quandary is to think outside the box, or in this case, outside the pan. The two simple tricks to this dish (if you can call steak seared on a giant block of salt a dish) are cutting the meat thin, against the grain, and cooking it fast at a high temperature. Oh, and don’t cook it on indifferent steel, but on a block of glowing, flavor-packing, tenderizing Himalayan pink salt.