Easy

Turn the Sweet Potato Soup Base into a meal with spicy chorizo, hearty chickpeas, and vibrant green kale. This makes a truly beautiful bowl of soup. If you’d rather keep this soup vegetarian, try the grain-based chorizo substitute from Field Roast, one of the first meat substitutes I’ve actually liked. It’s available in natural food stores in almost every state and through www.fieldroast.com.

I’ll admit to a tendency toward obsession, especially when it comes to food, as my experience with duck eggs proves. I bought my first dozen a few years ago at the Saturday farmers’ market at 14th and U Streets in Washington, D.C., and from the first time I fried one, I was pretty much hooked, buying duck eggs and only duck eggs and going through a dozen every week or two, at least while the ducks were laying. I’ve since veered back toward moderation, especially after remembering that these richer, more flavorful eggs are also higher in saturated fat and much higher in cholesterol. Still, I like to splurge every now and then, and this puffy frittata is one of my favorite ways. It also illustrates the magical properties of egg whites as a leavener; the simple process of separating whites from yolks, beating the whites to the soft-peak stage, and folding the two together results in a light-as-air texture, something between a frittata and a soufflé. Nonetheless, you can use these same ingredients in a more straightforward frittata; instead of separating the eggs, just follow the method for the Mushroom and Green Garlic Frittata (page 32). And if you can’t find duck eggs, chicken eggs work fine here, too.

I don’t make a habit of having potato chips in the house, because I really don’t have much self-control around them. But when I read in Anya von Bremzen’s go-to cookbook, The New Spanish Table, that chef-genius Ferran Adrià makes a tortilla de patatas (that glorious traditional Spanish omelet) with potato chips, I was tempted to buy some. That same year, 2005, my friend, chef José Andrés, a protégé of Adrià’s, also included a potato-chip tortilla recipe in his energetic book, Tapas: A Taste of Spain in America, so the decision was obvious. It turns out that this humblest of dishes, one of my favorites when I traveled in Spain, was perfectly easy to scale down to single-serving size. To justify its place on my dinner table, though, I added shrimp to make it a meal. Eat with a green salad or other crisp vegetables on the side. If desired, spoon some Red Pepper Chutney (page 17) on top.

Try as I might, I just couldn’t leave the bacon out of this omelet. Obviously, nothing goes better with eggs. But beyond that, bacon gives the slightly bitter chard an addictive smoky and, well, meaty flavor, while the goat cheese offsets it all with a tart creaminess. The result: a hearty, one-dish meal.

This is a recipe for those of us who are so reverent toward farm-fresh eggs that we’ll stand at the stove for almost a half hour, stirring them like a fine risotto. It seems crazy as you’re doing it, especially since nothing seems to happen for the first 15 minutes or so, but your perseverance will be rewarded with eggs that have a texture beyond compare, unless you’re comparing it to, say, lemon curd, one of the most luxuriously textured foods I know. I refer to eggs done this way as a reverse custard, with more eggs than cream instead of vice versa. I call for the Red Pepper Chutney (page 17) as an accompaniment, but this is such a fabulous way to make eggs, you can combine them with bacon for something even more basic, or you can add any manner of seasonal vegetables, lightly steamed or, better yet, sautéed in butter. If, unlike me, you can’t imagine spending this much time on eggs for one, invite a few friends over for brunch, multiply this by four, and try it out on them. You’ll see.

I spend a bundle on mushrooms from a bountiful display at the Dupont Circle FreshFarm Market just about every Sunday—but not in the summer. That’s because mushrooms are available practically year-round (many of them are cultivated), while tomatoes, corn, broccoli, and the like have a shorter season. So I reserve my mushroom purchases for when the bulk of the other seasonal produce has faded or hasn’t quite arrived. In the spring, I love to combine them with one of the items I spend all winter looking forward to: green garlic, basically an immature form of the plant, picked before it has fully formed its bulbous collection of cloves. You can use the whole thing like a leek or green onion (both of them in the same family), but it has the addictive taste of fresh, pungent garlic throughout. Since I also associate spring with eggs, I like to pair them with mushrooms and green garlic in a simple frittata. If you can’t find green garlic or want to make this in another season, feel free to substitute a small leek. Eat this frittata with a side dish, such as salad, bread, and/or hash browns, for a filling meal.

Like many food-oriented folk, I have a serious kimchi obsession going. But I didn’t want just any old kimchi recipe in this book. And I knew just where to turn in search of a recipe that has a little something extra: my friend Deb Samuels, cooking teacher and coauthor with Taekyung Chung of The Korean Table: From Barbecue to Bibimbap. Deb keeps up on all things Korean, and she told me that not only is it becoming more fashionable to salt kimchi less than traditional recipes call for, but also that the water-soaking process probably can be skipped entirely. She also said one of her favorites is a white kimchi with a main ingredient of Asian pear, which happened to already feature strongly in my Korean Short Rib Tacos (page 92). Why not try a kimchi with cabbage and pear together? Of course, she was right on the money. Look for Korean chili powder, which has a distinctive heat but a mellow, sweet undertone, in Asian supermarkets; for kimchi, there really is no substitute. Once you have your ingredients, this kimchi could hardly be simpler to make, and the slight sweetness and crunch it gets from the pear make it positively haunting. Besides using it on the tacos, use it on Kimchi, Ham, and Fried Egg Pizza (page 107) and Fried Rice with Cauliflower and Kimchi (page 136).

My friend Karin and I moved to Boston at about the same time, and of all the things this fellow Tex-pat and I missed the most, at the top of the list was the spicy, smoky, black-flecked salsa at La Fogata restaurant in San Antonio, where Karin grew up and where we both loved to visit when we were in college in nearby Austin. In those days, La Fogata would sell you the stuff to go, but only if you brought your own container. Karin would fly back to Boston with a gallon jug in her carry-on, something that wouldn’t go over too well with the TSA anymore. Nowadays, you can order the salsa online, but it’s not quite the same, no doubt due to the preservatives required to make it shelf stable. After I saw a take on the recipe at SpiceLines.com, I started experimenting and developed my own. In addition to gracing the top of Tacos de Huevos (page 87) and going into Spicy Glazed Mini Meatloaf (page 65), the pungent, garlicky condiment is good on grilled pork chops or steak. Of course, it can be served as an appetizer with tortilla chips. The recipe doubles and triples easily.

When I spent a day making jams with Stefano Frigerio, a chef-turned-food-producer, I knew I had found a kindred spirit. Frigerio, who sells his Copper Pot Food Co. jams, sauces, and pastas at Washington, D.C., farmers’ markets, resisted set-in-stone recipes and instead cautioned me that the most important thing is to taste, especially if you don’t want the jam to be too sweet. In the true spirit of preserving, use only fresh, local, in-season berries for this jam. (There’s really no reason to preserve something that you can get all year-round, so why use supermarket strawberries?) Without any added pectin, this jam has a slightly loose consistency, which I like, given that my favorite use is to stir it into yogurt.

I got this recipe from Patricia Jinich, chef-instructor at the Mexican Cultural Institute in Washington, D.C., who got it from her sister. Don’t be fooled by its simplicity; it is perfectly balanced. It will keep its lively color for about a week in the refrigerator, but the flavor will last another week or two, meaning you can feel free to splash it onto all manner of salads, plus avocados, tomatoes, green beans, even cold rice. You can also use other leafy herbs, particularly parsley, basil, or mint, instead of the cilantro.

While I was in college (along with 49,999 of my closest friends at the University of Texas at Austin), I was one of the many nonvegetarian fans of Mother’s, an iconic vegetarian restaurant in Hyde Park, where I’d pretty much always get a smoothie and a huge spinach salad with this pungent dressing. Besides cashews, the main ingredient is tamari, a richer version of soy sauce that’s traditionally (but not always) made without wheat. Decades later, Mother’s is still going strong, reopening after a 2007 fire and still serving this dressing (bottling it for retail sale, even). Thanks to the glories of Google, I was able to track down a recipe for it from Rachel MacIntyre, a personal chef in Austin who blogs at thefriendlykitchen.com and used to work at Mother’s precursor, West Lynn Cafe. I lightened it a little bit, but it’s as addictive as ever. I toss it onto spinach and other salads, of course, but also baked potatoes, broiled asparagus, steamed carrots, and more, including Charred Asparagus, Tofu, and Farro Salad (page 144).

Salting is a way. It’s the path you take. It lets you discover a passage through the brambles, defines the terrain ahead, sets you on a lost trail, and, toward the summit, reveals key ledges and handholds. The better your use of salt, the higher you can climb and the more enjoyable the ascent. And the view from up top is worth it. The Meadow Martini is a diamond-perfect expression of salt’s power to offer the clearest imaginable view of the most magical possible vista. Crushed Tasmanian pepperberries send blossoms of hydrangea crimson into the translucent liquid of the gin, unleashing extravagant botanical flavors. Tasmanian pepperberry (Tasmannia lanceolata) is sometimes used as a substitute for Szechuan pepper, though it harbors none of the heat and frankly bears no resemblance. If you can’t locate any, substitute a few petals of dried hibiscus or just enjoy your martini in its classic perfection, an arc of Shinkai Deep Sea salt as its only embellishment. Shinkai imparts to the lips the felicitous texture of confetti, and the unalloyed flavor of happiness itself.

Imagine strolling home along the long dusty road after a hard day in the fields. At the crossroads you encounter a gaggle of tow-haired youngsters sitting at a card table. “Sidecar, mister?” they shout. The sidecar is a lemonade drink for grown-ups. A touch of salt opens up the entire experience, makes it restorative. Citrus playing tag with sugar, chilled juice teeter-tottering with warming alcohol, the entire drink alloyed with salt’s wisdom and captured beautifully in a glass of coppery liquid.

In the physical universe, there is precious little closer to perfection than an oatmeal chocolate chip cookie. Unlike standard cookies, they are never cakey or disappointingly hard, not too sweet, with the butter and oats finding common cause in each other’s virtues. So how do you improve upon perfection? Topping these cookies with a beautiful flaky salt brings out the cow in the butter, the hills in the oats, and the jungle in the chocolate. Topping them with the salt rather than just adding it to the batter sets the salt free to work its mojo with each of the ingredients as they combine in your mouth. For these cookies, I prefer Bali Rama Pyramid sea salt, which has really cool hollow pyramidal crystals and a great, snappy impact. The advantage of using a flake salt here is that it remains delicate even after baking. The Bali Rama Pyramid salt does a spectacular job of bringing just enough drama to the cookies to make them sparkle while keeping everything mellow enough to assure they remain a comfort food. Other good choices are Cyprus flake or Halen Môn, or, in a pinch, any good fleur de sel.

Peas are so perfect on their own, it’s a wonder it ever occurred to anyone to cook them in the first place. But fortunately someone did. A trillion peas later, after endless refinements on the art of making a pea more perfect than a pea, the French Laundry created its cold pea soup, a spring rain cloud of viridian sugars skimming a truffled forest. But before Thomas Keller could make his soup, we had to grow up watching Julia Child chiding us about making the blanching water incredibly hot, and salting it, and treating the pea with the utmost love and care. It was Julia Child who rescued cooked peas from the ignominy of creamed cafeteria concoctions, restored their preciousness, and gave them back to us like so many incandescent pearls rolled from the fair hand of nature. A drop of saffron cream shot through with a taut bolt of salt cradles and charges this blanched pea with its own electricity.

Behind the jubilant liquid tomato smile of pasta margherita lies an intellect of herbs and garlic. The one covering for the other is a seduction of sorts, an invitation that propriety prevents you from accepting too eagerly. Sprinkle your margherita with the crystalline sweetness of Fiore di Cervia, the fine salt from the balmy Adriatic flats south of Ravenna, and marvel as the tart-sweet play of tomato and pasta asserts itself. Ennobled by the salt’s fruity warmth, the sauce is freed of its ties to the herbs that first defined it. Eyes open, head borne aloft, your margherita is as beautiful in body as in spirit.

As a child walking into an Italian restaurant in San Francisco’s North Beach district, I would put on a brave face and glue myself to my father’s side. A cacophony of sensations would accost my nose, my ears, and my staring eyeballs. The smell of stale red wine overlaid with steaming starch. Preoccupied waitresses shoving their heavy bodies through the thick yellow air, moving from table to table with armloads of bread and heaping plates of sea creatures smoldering under garlic and basil. Greasy overhead speakers thumping from their tattered baffles; a dishwasher roaring in the back; and overlaying all, the incessant thudding of a wooden mallet slamming a defenseless piece of chicken or veal. Indifferent to my concern, my father would smile. “Howard!” the restaurant owner would bellow, wading through the crowd to deliver a tumbler of red wine. And the two would launch into boisterous talk about herbs and oils and salt, my dad gesturing appreciatively to the monster with the wood mallet and saying, “Yes, yes, chicken very thin.” For much of my childhood, I thought the measure of a good restaurant was the ferocity of the butcher up front pounding flesh, and the ensuing experience of meat so wonderfully tender and mild that it melted away the world’s hazards. With a flourish of flake salt to accentuate the play of texture and savor on the palate, this paillard is quick, easy, and enormously satisfying. If you like, substitute veal cutlets for the chicken, using Italian parsley in place of the tarragon.

Mushrooms, noble as they may be, are not proud creatures. Poking their heads up from the loam, they stand humbly with a prepossessing calm that more or less begs us to pluck them. Fresh eggs, once you face off the fierce gaze of the hen and pull them from under her warm breast, are similarly good-natured, understated and half-smiling like the oval face of a Modigliani portrait. But dress the egg and the mushroom with a pinch of black truffle and the two rise up, swell with pride, and regale you with their tales of farm and forest.

If the restaurants that produce them are any indication, the superlative steaks of the world cannot be reduced to a simple formula. Consider Le Relais de Venise L’Entrecôte in Paris, where the brisk waiter actually serves you half a steak, then gives the other half to another person, and then, just as you are finishing the last bite of your first half, he brings you another half-steak right off the grill—a miraculous second coming. Consider Raoul’s in New York, where the experience of eating is suffused by an equally savory experience of sitting, drinking, observing, and conversing. The only way to rival these folks is to take matters into your own hands: an excellent steak, the best pepper, the perfect salt, and thou. Tomes have been written on how to cook a steak. Precious little has been said on how to salt one. To cook: start with a lot of heat, finish with a little. Do the opposite with the salt: cook with no salt at all, or very little, if you really must have some. When the steak is served, choose the most beautiful sel gris you can find and let fly.

The Hindus paint a red dot, or bindi, on their foreheads as an ancient form of ornamentation that also indicates a focal point of meditation: the third eye, the site of the bright inner flame that burns in our mind’s eye. People living in the warmer climates of Latin America wear a bindi of another sort, a cucumber slice stuck to their forehead to keep cool on a hot day. This practice has always fascinated me. The sure knowledge that as the afternoon wore on the wearer’s sweat would salt that cucumber also made me hungry. The crisp, acidic rush of tsukemono, or Japanese pickles, brings focus and refreshment as an accompaniment to grilled fish, rice dishes, and sashimi. It can also be eaten on its own in a meditative moment.