Quick

Try as I might, I just couldn’t leave the bacon out of this omelet. Obviously, nothing goes better with eggs. But beyond that, bacon gives the slightly bitter chard an addictive smoky and, well, meaty flavor, while the goat cheese offsets it all with a tart creaminess. The result: a hearty, one-dish meal.

I spend a bundle on mushrooms from a bountiful display at the Dupont Circle FreshFarm Market just about every Sunday—but not in the summer. That’s because mushrooms are available practically year-round (many of them are cultivated), while tomatoes, corn, broccoli, and the like have a shorter season. So I reserve my mushroom purchases for when the bulk of the other seasonal produce has faded or hasn’t quite arrived. In the spring, I love to combine them with one of the items I spend all winter looking forward to: green garlic, basically an immature form of the plant, picked before it has fully formed its bulbous collection of cloves. You can use the whole thing like a leek or green onion (both of them in the same family), but it has the addictive taste of fresh, pungent garlic throughout. Since I also associate spring with eggs, I like to pair them with mushrooms and green garlic in a simple frittata. If you can’t find green garlic or want to make this in another season, feel free to substitute a small leek. Eat this frittata with a side dish, such as salad, bread, and/or hash browns, for a filling meal.

My friend Karin and I moved to Boston at about the same time, and of all the things this fellow Tex-pat and I missed the most, at the top of the list was the spicy, smoky, black-flecked salsa at La Fogata restaurant in San Antonio, where Karin grew up and where we both loved to visit when we were in college in nearby Austin. In those days, La Fogata would sell you the stuff to go, but only if you brought your own container. Karin would fly back to Boston with a gallon jug in her carry-on, something that wouldn’t go over too well with the TSA anymore. Nowadays, you can order the salsa online, but it’s not quite the same, no doubt due to the preservatives required to make it shelf stable. After I saw a take on the recipe at SpiceLines.com, I started experimenting and developed my own. In addition to gracing the top of Tacos de Huevos (page 87) and going into Spicy Glazed Mini Meatloaf (page 65), the pungent, garlicky condiment is good on grilled pork chops or steak. Of course, it can be served as an appetizer with tortilla chips. The recipe doubles and triples easily.

While I was in college (along with 49,999 of my closest friends at the University of Texas at Austin), I was one of the many nonvegetarian fans of Mother’s, an iconic vegetarian restaurant in Hyde Park, where I’d pretty much always get a smoothie and a huge spinach salad with this pungent dressing. Besides cashews, the main ingredient is tamari, a richer version of soy sauce that’s traditionally (but not always) made without wheat. Decades later, Mother’s is still going strong, reopening after a 2007 fire and still serving this dressing (bottling it for retail sale, even). Thanks to the glories of Google, I was able to track down a recipe for it from Rachel MacIntyre, a personal chef in Austin who blogs at thefriendlykitchen.com and used to work at Mother’s precursor, West Lynn Cafe. I lightened it a little bit, but it’s as addictive as ever. I toss it onto spinach and other salads, of course, but also baked potatoes, broiled asparagus, steamed carrots, and more, including Charred Asparagus, Tofu, and Farro Salad (page 144).

Salting is a way. It’s the path you take. It lets you discover a passage through the brambles, defines the terrain ahead, sets you on a lost trail, and, toward the summit, reveals key ledges and handholds. The better your use of salt, the higher you can climb and the more enjoyable the ascent. And the view from up top is worth it. The Meadow Martini is a diamond-perfect expression of salt’s power to offer the clearest imaginable view of the most magical possible vista. Crushed Tasmanian pepperberries send blossoms of hydrangea crimson into the translucent liquid of the gin, unleashing extravagant botanical flavors. Tasmanian pepperberry (Tasmannia lanceolata) is sometimes used as a substitute for Szechuan pepper, though it harbors none of the heat and frankly bears no resemblance. If you can’t locate any, substitute a few petals of dried hibiscus or just enjoy your martini in its classic perfection, an arc of Shinkai Deep Sea salt as its only embellishment. Shinkai imparts to the lips the felicitous texture of confetti, and the unalloyed flavor of happiness itself.

Imagine strolling home along the long dusty road after a hard day in the fields. At the crossroads you encounter a gaggle of tow-haired youngsters sitting at a card table. “Sidecar, mister?” they shout. The sidecar is a lemonade drink for grown-ups. A touch of salt opens up the entire experience, makes it restorative. Citrus playing tag with sugar, chilled juice teeter-tottering with warming alcohol, the entire drink alloyed with salt’s wisdom and captured beautifully in a glass of coppery liquid.

Peas are so perfect on their own, it’s a wonder it ever occurred to anyone to cook them in the first place. But fortunately someone did. A trillion peas later, after endless refinements on the art of making a pea more perfect than a pea, the French Laundry created its cold pea soup, a spring rain cloud of viridian sugars skimming a truffled forest. But before Thomas Keller could make his soup, we had to grow up watching Julia Child chiding us about making the blanching water incredibly hot, and salting it, and treating the pea with the utmost love and care. It was Julia Child who rescued cooked peas from the ignominy of creamed cafeteria concoctions, restored their preciousness, and gave them back to us like so many incandescent pearls rolled from the fair hand of nature. A drop of saffron cream shot through with a taut bolt of salt cradles and charges this blanched pea with its own electricity.

Behind the jubilant liquid tomato smile of pasta margherita lies an intellect of herbs and garlic. The one covering for the other is a seduction of sorts, an invitation that propriety prevents you from accepting too eagerly. Sprinkle your margherita with the crystalline sweetness of Fiore di Cervia, the fine salt from the balmy Adriatic flats south of Ravenna, and marvel as the tart-sweet play of tomato and pasta asserts itself. Ennobled by the salt’s fruity warmth, the sauce is freed of its ties to the herbs that first defined it. Eyes open, head borne aloft, your margherita is as beautiful in body as in spirit.

As a child walking into an Italian restaurant in San Francisco’s North Beach district, I would put on a brave face and glue myself to my father’s side. A cacophony of sensations would accost my nose, my ears, and my staring eyeballs. The smell of stale red wine overlaid with steaming starch. Preoccupied waitresses shoving their heavy bodies through the thick yellow air, moving from table to table with armloads of bread and heaping plates of sea creatures smoldering under garlic and basil. Greasy overhead speakers thumping from their tattered baffles; a dishwasher roaring in the back; and overlaying all, the incessant thudding of a wooden mallet slamming a defenseless piece of chicken or veal. Indifferent to my concern, my father would smile. “Howard!” the restaurant owner would bellow, wading through the crowd to deliver a tumbler of red wine. And the two would launch into boisterous talk about herbs and oils and salt, my dad gesturing appreciatively to the monster with the wood mallet and saying, “Yes, yes, chicken very thin.” For much of my childhood, I thought the measure of a good restaurant was the ferocity of the butcher up front pounding flesh, and the ensuing experience of meat so wonderfully tender and mild that it melted away the world’s hazards. With a flourish of flake salt to accentuate the play of texture and savor on the palate, this paillard is quick, easy, and enormously satisfying. If you like, substitute veal cutlets for the chicken, using Italian parsley in place of the tarragon.

Mushrooms, noble as they may be, are not proud creatures. Poking their heads up from the loam, they stand humbly with a prepossessing calm that more or less begs us to pluck them. Fresh eggs, once you face off the fierce gaze of the hen and pull them from under her warm breast, are similarly good-natured, understated and half-smiling like the oval face of a Modigliani portrait. But dress the egg and the mushroom with a pinch of black truffle and the two rise up, swell with pride, and regale you with their tales of farm and forest.

The Hindus paint a red dot, or bindi, on their foreheads as an ancient form of ornamentation that also indicates a focal point of meditation: the third eye, the site of the bright inner flame that burns in our mind’s eye. People living in the warmer climates of Latin America wear a bindi of another sort, a cucumber slice stuck to their forehead to keep cool on a hot day. This practice has always fascinated me. The sure knowledge that as the afternoon wore on the wearer’s sweat would salt that cucumber also made me hungry. The crisp, acidic rush of tsukemono, or Japanese pickles, brings focus and refreshment as an accompaniment to grilled fish, rice dishes, and sashimi. It can also be eaten on its own in a meditative moment.

If there is any dish that could be served with every meal, every day, morning, noon, and night, it’s butter leaf lettuce salad. Eggs Benedict with butter leaf lettuce salad; cheeseburgers with butter leaf lettuce salad; pasta alla carbonara with butter leaf lettuce salad. Or, for a snack, just butter leaf lettuce salad. Its acidic elegance balances out the heartiness of any meal. The trick is the dressing. Making your own vinaigrette is among the biggest single improvements you can do in the kitchen—it becomes a distillation of your aesthetic defined by acid, oil, sweetness, and salt. Jennifer’s mastery of the vinaigrette has done more to promote the advancement of cuisine in our house than anything else: the shallots discover a plump, inner sweetness in the vinegar; the olive oil expresses its spicy-green spirit in response to the pepper; and the mustard emulsifies so that the dressing coats the lettuce in silkiness. Then the Maldon, strewn across the surface of the dressed salad—a glittering fencework of flakes perched along the crests and vales of lettuce—snaps like static electricity to stimulate the palate—a flash of pungency that illuminates everything so quickly and clearly that it is gone before you have time to fully comprehend what happened. This is Maldon’s raison d’etre: to reveal and amplify, then vanish, leaving you with only the desire for another bite.

Whether in food or in adventure, our great life-affirming moments often come when nature and sentience find themselves suddenly on intimate terms. Gulping a fresh oyster from the half-shell can be as exhilarating as sailing headlong into white-capped seas with only the song of steel-cold air in the rigging to keep you company. This is why I never tire of the fall season’s promise for new discoveries in oysters. I recently discovered the Totten Inlet Virginicas from the southern Puget Sound: minerally, fresh, and clean with a consistently firm meaty texture. Introducing Shinkai deep sea salt to the Totten was an opportunity for a culinary adventure I could not pass up. The mineral flavors of the oysters amplify the abundant steely flavors already apparent in the salt, and bring to light glints of sweetness and kelp that you might never find on your own. A drop of mignonette and a pinch of Shinkai deep sea salt; the sea god Neptune never had better.

Sometimes ingredients make strange bedfellows. Chocolate and cheese are not the most natural mates, but when the cheese is a heady, acidic, barnyard-fresh goat’s milk cheese and the chocolate is bits of roasted cocoa bean, unsweetened and compact as an espresso bean, unexpected things happen. You get something more. But you can’t quite tell what. The flavors square off, then shift, then subvert one another. Then they take a pause. The air is thick with tension, but nothing stirs. Suddenly, like a gunshot comes the massive crunch of Cyprus black flake sea salt and everything is movement. It all becomes clear in an instant: a dish that’s as comforting as grandma’s chicken potpie and yet uncivilly decadent. . . . A secret pleasure of serving this dish is watching even the most well-bred guest slyly supplement each bite with an added pinch of black salt crystals.

Imagine a garden. In it are Black Spanish, Burpee, Champion, Cherry Queen, China Rose, Early Scarlet Globe, Easter Egg, French Breakfast, Fuego, Icicle, Plum Purple, Snow Belle, Tama— all radishes. The best way to eat all of them, to savor their isothiocyanate heat, to luxuriate in their woody density, is with butter and salt. The silken texture of the butter plays off the radishes’ crunch, and the two take a honeymoon together, visiting the sultry destinations of spiciness and cream. Fleur de sel is the key. Its moistness helps its crystals ride out the voyage long enough for the radish and butter to make their cquaintance in your mouth. It also lends mineral richness and texture to both. Fleur de sel, a pat of butter, and a radish— a poem penned by summer.

Lovage looks like a young celery branch with leaves, and in fact tastes like a slightly spicy celery. Most farmers’ markets have it in the spring and summer. Substitute a celery branch for the lovage stem in a pinch.

Growing up, I hated this Korean fermented delicacy. My father would drag me miles away to the Korean supermarket down an alley to buy this stuff. He would bring it home and literally evacuate the house when he broke the seal on the jar. It wasn’t until I started working at Momofuku that I learned that I really love kimchi, and that there are many, many levels of potency throughout the kimchi-producing kitchens in this country. The Momofuku cookbook has a ridiculously tasty kimchi recipe (among others). Or use your favorite brand of cabbage-based kimchi in this recipe.

This butter is great on a soft pretzel, a warm sandwich, or a hot dog bun!

All of our nut brittles are extraordinarily simple. We use skinned (blanched) nuts, unroasted and unsalted. They take one part nuts to two parts sugar and about ten minutes of time. Nut brittles are one of few things we measure by volume, so no gram weights are needed here. There will always be a small amount of caramel and nut left in the bottom of your pan after making the brittle. No worries! We’ve never met a person who can make this brittle without leaving a trace of it behind. Here’s a hint: the best way to clean hardened caramel out of a pan is by putting water in it and boiling it. The hot water will dissolve the caramel and the pan will be a snap to clean.