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In spite of his Irish tendencies to worry and brood, R. B. pretends to think of himself as an upbeat guy who genuinely wants to like things. Even so, he’s given up on grilled shrimp-stuffed jalapeño peppers. It’s hard to cook a raw shrimp tucked inside a pepper unless the pepper is roasted to bitter death. Cheesy alligator snouts—broiled and blistered jalapeños with melted cheese—never disappoint. Broil or toaster-oven these treats and all they need as garnish is plenty of cold beer. Serve the broiled snouts as a conversation-starting appetizer, whole and hot from the oven, or sliced and set in little tortilla scoops. Serve them as a side to a Mexican feast paired with Cheater Carne Adovada Alinstante (page 56). Jalapeños are usually tolerably hot, although it’s impossible to know until you take a bite. Satisfy all your guests with a combination of hot green jalapeños and the mild mini red and yellow sweet bell peppers.

Any appetizer spread, even this one of conventional cheese ball ingredients smashed into a spread, becomes much more glamorous when paired with all things pale green—celery sticks, thin green apple wedges, or Belgian endive. Don’t underestimate the allure of a generous pile of green grapes, either.

Deviled eggs can create a fair amount of anxiety. It’s the peeling that’s the problem. Experts say older eggs with more of an air pocket peel more easily, some say leave the cooked eggs in the fridge a couple of days before peeling, some say add a little vinegar to the boiling water. All we know is that when it counts, they don’t peel. Deviled Egg Spread with Smoked Paprika is the happy outcome after a fit of frustration with a bowl of broken hard-cooked eggs. Hey, you’re thinking, that’s just egg salad. So what! The smoked paprika adds the devil and makes a perfectly lovely spread for party rye or crackers.

Before he discovered cheater BBQ, the only indoor kitchen appliance R. B. had a serious relationship with was the toaster oven. He fancies himself the master of all things topped with melted cheese. Predictably, leftovers of this smoky cheese spread went right into the toaster oven on slices of thick rustic bread. Smoky Pimiento Cheese Bruschetta! Min took it to the next level with sliced fresh tomato, a few green onion bits, and a basil leaf for a “New South” Italian appetizer. Of course, the pimiento cheese is fantastic on a big juicy Cheater Kitchen Burger (page 119). We also serve our pimiento cheese along with Cheater Foie Gras (page 21), each spread on tart Granny Smith apple slices.

For more than fifty years, Min’s two family branches, the Merrells and the Almys, have been eating at the Cortez Cafe in Carlsbad, New Mexico. The food is straightforward Tex-Mex and always finishes with a round of sopapillas and honey. Back in the ’70s, the family thought nothing odd about beginning meals with bowls of fiery green salsa scooped up with saltine crackers. The Cortez has since switched to tortilla chips and you may prefer them as well, but the Merrell-Almy clan retains its hot spot for salsa and crackers. Pining away in Nashville for that distinct Cortez flavor, Min thinks she’s figured it out—it’s mostly fresh jalapeños. Min’s cousin Eric, knighted Sir Cortez by the clan, now brings his version of Min’s Cortez Salsa recipe to every family dinner—with sleeves of only the freshest saltines, of course.

Deep in the interior of the island on the fringes of the barbagia is Nuoro. It seemed a cultural suicide, wielded by unsentimental politicos over this past half century, that smote Nuoro’s picturesque and pastoral life. This, the place on Sardegna where Stone Age man first set his fires, the place least contaminated by the passing of the millennia, was swiftly, gracelessly swept away by those compelled to gentrify her. Little has changed about the Nuoresi themselves, though. As best they can midst their fresh new proscenium of concrete, they still dance their simple rhythms, honor legacy and heritage with their reserved sort of gaiety. A sweet—once made only by the Nuorese massaie, farmwives—is now fabricated in crisp, shiny laboratories and sent then, in its handsome trappings and tassels, to elegant shops on the Continent. Still, the women cook their ancestral aranciata at home for feast days, sometimes tucking it into bits of lace, placing little pouches of it at everyone’s place at table, then hiding an old silvered tin of it in the back seat of a new friend’s automobile.

Like popcorn, nuts taste best sprinkled with extra-fine-grained salt that sticks to the snack. That’s why the cheater thing to use here is Lawry’s seasoned salt, a ready-to-go finely ground blend of salt, seasoning, and sugar that becomes one with the nut. If you use coarse kosher salt, you’ll find the flakes sitting in the bottom of the bowl. You can smoke all kinds of nuts—peanuts, pecans, whatever you like—but the nuts must be raw. Stay close to the oven during the final ten minutes of roasting. The toasty fragrance will let you know when they are ready.

A tiny place where once lived the paladins of Sardegna is Orgosolo. Only a decade or so ago did they think it prudent, finally, to wander about the steep, tortured alleyways of their mountain village unadorned with a rifle. Orgosolo is the historic lair of Sard banditismo—banditry. Perhaps the businesses of thieving and buccaneering seem more gainful in Calabria, for now, the only rapscallions left in Orgosolo are the political artists whose bullying, bitter-sermoned murals irritate walls, housefronts, mountain faces. Too, icons are chafed, gastronomically, in Orgosolo, as they are here in this dish, which asks for bottarga as well as pecorino, upsetting the proscription, for a moment, against the mingling of fish and cheese.

The Phoenician port of Karalis is Cagliari and, sitting on the island’s southern verges on the Gulf of the Angels, it seems not of Sardegna. The Sards who live away from the port say it is a place doubled-faced and call the Cagliaritani hollow-hearted. They say Cagliari is of the world and not of Sardegna. Sardi falsi—sham Sards—they are called. Surely discordant, as a city, with the Stone Age commonweal of the island’s interior, Cagliari’s most pleasant quarter seems the one raised up in the serene, medieval tracks of the Pisani. There, embraced by walls, new—as measured in Sard antiquity—one senses, still, some sweet press of sympathy. And it is there on its piazzette, where one can sit under broad, blue-striped umbrellas, to sip at cool Nuragus di Cagliari between melting bites of salty bottarga, the Sards’ caviar. Fashioned from eggs harvested from the cefalo—the gray mullet—the roe sacs are taken whole, compressed under thick hefts of marble, rubbed with unpounded crystals of sea salt, then left to dry on grass mats under the Cagliaritano sun. What emerges after several months of patience is a supple, glossy mass that, when shaved or grated gives up an authoritative yet balmy brininess. In the humblest of osterie as it is in the ristoranti, this bottarga, the Sards’ caviar, is presented with simple adornments. Rather easily hunted up in American specialty stores, look, though, for the bottarga di cefalo rather than the more common, far less delectable, bottarga di tonno, made from eggs of the tuna. Here follows a recipe for a most uncommon, sensual sort of overture to lunch.

The poorest, perhaps, of all Sard dishes, some version of mazzamurru is often a shepherd’s supper or humble sustenance for a bountyless hunter’s family. Made of whatever stuffs might be at hand, the commonalities of mazzamurru are rich ewe’s milk, some rough bread, and shards of sharp, salty cheese. The ornaments are often a handful of wild grasses or a few sun-dried tomatoes, some olives, a crush of dried herbs. Present the mazzamurru with a bowlful of some simple tomato sauce or, better, no sauce at all, its nakedness tasting of such goodness.

This variety of plum, even when ripe, retains a certain tartness that is offset here by the anise and the almond paste, all of which, when lolling about in the cream, seem made for each other.

Demeter, the goddess of grain, hallowed by i siculi—the warrior tribe that inhabited the island before the Greeks—was all of resplendence, even to the high crown formed from her flaxen braids. It was she who illuminated the magic of sowing seeds beneath the earth and then protecting them, feeding them, and growing them up into ripeness. The tribe’s harvests grew ever more abundantly, the goddess conjuring the sun and the rain and the breezes on their behalf, they honoring her with great bonfires under the full moon’s light and ritual offerings of bread and wine. The island was Elysium, uninterrupted. And then, heaving himself up through a rent in the earth’s crust, Pluto stole Demeter’s daughter, Persephone, as plunder for his abyss. Demeter screeched and mourned and cast Sicilia into darkness. There was nothing to nourish her tribe save the tears Demeter cried down from the heavens. So clamorously did the goddess petition him that Pluto succumbed, vowing riddance to the child as much as to her shrewish mother. He would liberate Persephone. Only then, though, did Pluto take note that Persephone had cut in two a pomegranate, and that she sat slaking her child’s thirst on its juices and its glistening, rosy seeds—a blunder. He howled up at her mother that Persephone had devoured the sacred seeds of fertility, and for this sin he must halve his promise. Just as she had broken the fruit, Persephone would be liberated for only six months of every year. And, as penance, she must, each year and everlastingly, stay six months in the shades of Hades. And so it was that Demeter heralded the sun and the rain and raised up the wheat, thick and golden, from May through October, when Persephone was at her side, leaving the island barren and under an impotent sun from November until April—her half-mourning an allegory of the seasons, of life and of death. In the early springtime, one can see still the great roaring fires lit by Sicilian wheat farmers and whole villages in dance and song, invoking the gods’ promise to keep safe their newly sown fields. Only now, old, sweet Demeter, pagan that she was, has been supplanted by St. Joseph, her powers having been ferried over into his realm. Not so long after a woman in Palermo had told us this story of Demeter, we were staying awhile in Enna, an interior agricultural city. One evening, the man who served our supper of rough-cut semolina pasta with a mutton sauce and thick chops of pork, oven-roasted with wild onions, dispatched to our table his mother—a fine country cook—with the sad news that she’d had not a moment to put together some rustic little tart or other that day. There would be no sweet. Unless, of course, she murmured, we’d like a pomegranate with un cucchiaino di zabaglione—a small spoonful of custard. We agreed. What she brought forth to us on an old plate of cranberry-colored glass were two pomegranates that seemed to be broken rather than cut in two, their crimson juices spilling out from the jagged shells with tiny coffee spoons plunged into the hearts of seeds. Two diminutive porcelain pitchers of some winy custard were laid beside the plate. We were urged to pour the custard over, into the pomegranates. Sweet but not quite sweet against the tart, peppery seeds, the sauce was the color of ambered muscadine, its scent that of crushed violets. It was a plate quietly, achingly beautiful to see and to eat. Later, when we asked her son if we might give our thanks to his mother for the fine supper and, especially, for the pomegranates, he told us that she’d gone upstairs to bed. Thinking to write our thanks in a little note, I asked him, “What is her name?” “Mia madre si chiama Demetra,” said the man. “My mother is called Demeter.” Startled, dazed even, for a moment, the story of Demeter came racing to mind. Thinking the note unnecessary, all we said w...

Cutlets or chops of veal are pressed with oregano, garlic, and bread crumbs, then sautéed or grilled and proffered throughout the island as the fish-phobic’s Sicilian supper. One is likely to be presented with a fibrous little cutlet that makes one long to be supping somewhere else. This version, though, inspired by Osteria ai Cascinari in Palermo, begs the rubbing of a good, thick chop with a paste of herbs before giving it a quilt of crumbs mixed with pecorino and sesame seeds and, finally, a brief sauté and a splash of white wine. It makes for a fine dish, especially when accompanied with a bit of pesto di pistacchi e olive (page 193).

On the curve of Palermo’s Via Papireto, just before the entrance to il mercato delle pulci—the flea market—there sits a watermelon stand and a hand-wrought sign: ICED, SWEET WATERMELON, DAY AND NIGHT. We passed the little place several times each day on our excursions through the great honkings and snarlings of the city traffic. Drawn by its promise, we meant always to stop but never found quite the right convergence of appetite, time, and space in which to park the car. But one Saturday evening, after a long, winy dinner and a dry search for a still-open gelateria, we thought to soothe ourselves with a visit to the watermelon man. Though it was well after midnight, he was there, waiting midst the walls of precisely laid, smooth-skinned fruit, his old Arab eyes illuminated by festoons of pink and green lights. He bid us sit at his one and only tiny, oilcloth-covered table, tucked in the corner farthest from the street. Speaking only in smiles—it was hardly necessary to tell him what we desired—we watched as he chose a melon from those he kept in a basin of iced water and then cleaved it open with a single heft of some ancient tool. Each half he stuck with fork and spoon and, resting the juice-dripping melons on wooden boards, he presented them. He brought a little tin plate in which we might deposit the seeds and two beautifully ironed kitchen-towel napkins. The red flesh was crisp under our spoons and each new excavation brought up a yet sweeter, colder mouthful of it. We ate slowly under the pink and green lights, finally resting our spoons against the great, hollowed shells, triumphant, certain we’d spent well that hour of our lives, certain, too, how perfect, how divine was that food. Lacking a faithful watermelon man, here follows a way to work with a well-ripened, even if not exquisitely fleshed, melon. Perfumed with cinnamon and studded with bitter chocolate and pistachios, it is the traditional ice of ferragosto—the official high summer Italian festival. The gelo is best eaten long after midnight.

A rather sad and barren bit of sand in a Mediterranean archipelago 17 kilometers off the coast of Trapani and 120 kilometers from the brow of North Africa, the island of Favignana is the last of the tonnare—tuna fishing ports—in Sicilia. And it is Gioachino Cataldo who is il rais—“the king,” in Arab dialect—of the rite of la mattanza— the ritual slaughtering of migrating tuna practiced first by the Phoenicians and later by the Saracens. La mattanza remains the most powerful spiritual ceremony in the life of the islanders, as it has for a thousand years. And from then until now, its writs are these. Fifteen huge wooden, black-varnished, motorless, sail-less boats are tugged out into the formation of a great quadrangle around the muciara—the boat of il rais that sits at the square’s center. Ten kilometers of net are laid in the form of a pouch into which the tuna swim. The great fish migrate from the Atlantic through the Straits of Gibralter to spawn, the Mediterranean being warmer and saltier and, hence, a kinder ambience for reproduction. As the pouch—called the camera della morte, the death chamber—becomes full, il rais gives the command to his fifty-seven soldiers to lift the net. The men bear up the nets by hand, hoisting them and the tuna up to a height at which the fish can be speared and hauled up into the bellies of the boats. The rite remains Arab to its core. Arab are the songs that the tonnaroti—those fishermen who hunt only tuna—sing as they wait for the nets to fill, as are the incantations they chant as they are heaving up the fish and, finally, Arab are the screams the tonnaroti scream as they kill them. We saw them take two hundred tuna in two hours—the fish averaging about seventy kilograms. Those the tonnaroti did not keep for themselves were ferried to Marsala for processing. A black-bearded colossus is Gioachino, his face crinkled by the Mediterranean sun, his enormous hands scraggy as an unsharp blade, of a family who, for twelve generations, has birthed men chosen by the Favignanesi to be il rais. The islanders bequeath the post on merit. The credentials, said Favignana’s mayor, are: courage, skill, strength, dignity, and honor. And it is the king himself who determines the duration of his reign. Gioachino told us he would remain il rais “finchè le mie forze mi sosterranno”—“while my forces remain uninjured.” In these last ninety-eight years, Gioachino is only the eighth rais of Favignana. This is the simple way he cooked tuna for us, the way he thinks it best. He always uses flesh from the female fish—hence, tunnina—for its more delicate savor, he told us. Il rais harvested the capers for the fish in his garden while we sipped at cold moscato.

One departs Italy—and the European continent—for the journey to Sicilia through the narrow Straits of Messina. The city is an unlovely place, the ravages and wrecks of her face so corrected that she seems benign, with few of her old graces. Snugged inside the tumult of her port sit a few humble houses still dispatching, to the fishermen and the local citizenry, the stews and broths from the old tomes. And it was at one table there where we ate a most luscious rendition of swordfish. A dish typical of Messina, and now of the whole island, it seems, this one was extraordinary for the rich elements of its stuffing, but more for the divine splash of Malvasia in its little sauce.